Last summer, Ryan Olson and Channy Casselle – whose previous collaboration, Gayngs' 2010 LP Relayted, was a mesmerizing slab of cheesed-out neo-soul that featured Bon Iver – wrote Give You The Ghost in only a month's time. Quickly, a band was assembled and sent into the studio, fully fleshing out the forlorn, ruminative R&B experiment, and Give You the Ghost was born. The songs are of a piece with Olson and Casselle's previous work, yet slower, more tender – less sharp tongue and more soft cheek. Casselle's focused, tender voice cascades over dense fields of minor-key electronics, backed by with funked-up bass and a swarm of percussion. It’s sound of heartbreak and celebration happening simultaneously.

Listen To Poliça's "Dark Star":

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• Photos: Random Notes

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."