.
http://assets-s3.rollingstone.com/assets/images/album_review/e566d6bb8c7d7fd850dc3635fc70a5f475fe70b5.jpg Feels

Animal Collective

Feels

Fat Cat Records
Rolling Stone: star rating
Community: star rating
5 3 0
November 3, 2005

Animal Collective specialize in shape-shifting songs that seem to wrench melodies out of the ether. Their third full-length album maintains a sense of childlike joy and free-flowing exploration while creating bizarro pastoral reveries out of primitivist tom-tom beats, guitar screeches and all kinds of overlapping vocals, which provide both human-scale atmosphere and hooks. The lead single, "Grass," sounds like Brian Eno's "Another Green World" on mescaline, with a winding, beatific refrain giving way to staccato screams amid a warped country-rock bounce. At nearly seven minutes, "The Purple Bottle" finds just the right mix of whimsy and ambience, mixing cracked Modest Mouse refrains, unintelligible squeaks and gorgeous Beach Boys chorales over chiming keyboards and speedy tribal drums. A handful of cuts simply drift by unremarkably, but at its best, Feels gives hope to young bands who want to make beautiful noise but refuse to color within the lines.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “You Oughta Know”

    Alanis Morissette | 1995

    This blunt, bitter breakup song -- famous for its line "Would she go down on you in a theater?" -- was long rumored to be about Alanis Morissette getting dumped by Full House actor Dave Coulier. But while she never confirmed it was about him (Coulier himself says it is, however), she insisted the song wasn't all about scorn. "By no means is this record just a sexual, angry record," she told Rolling Stone. "The song wasn't written for the sake of revenge. It was written for the sake of release. I'm actually a pretty rational, calm person."

    More Song Stories entries »
    www.expandtheroom.com