.
http://assets-s3.rollingstone.com/assets/images/album_review/2ced825511031acf5c51531e90a60d95a8fe3cd9.jpg Euphoria

Def Leppard

Euphoria

Rolling Stone: star rating
Community: star rating
5 2 0
July 8, 1999

"Demolition Man," the opening track on Euphoria, Def Leppard's seventh studio album, plays like a typical installment of VH1's rock-bio series Behind the Music: "Let me loose, I just got back/I was pushed and I got dragged/I tasted mud, I tasted wine/Kissed the life I left behind." The moral of the tale: Every multimillion-selling hack gets a second chance. These blue-collar Brits have always been motivated by sales rather than art, so it's little wonder that they've abandoned the more introspective tone struck on Slang (1996), a commercial flop, to return to their Eighties metal-for-the-malls formula: hooks big enough to beach Moby Dick, lean arrangements that owe more to Thin Lizzy than to Black Sabbath and germ-free production that emphasizes high-end sheen over low-end sludge. Old crony Mutt Lange takes time out from shepherding the career of his wife, Shania Twain, to lend a heavy hand on a couple of would-be hits, including "Promises," which resurrects the "Pour Some Sugar on Me" buzz. Yet the defining characteristic of Euphoria is its bloodlessness, from the robotic drum tracks to the disconcertingly inhuman tone of those trademark massed vocal choruses. Behind the Music notwithstanding, the flesh-and-blood Def Leppard apparently never made it out of the Eighties alive.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Promiscuous”

    Nelly Furtado with Timbaland | 2006

    This club-oriented single featuring Timbaland, who produced Nelly Furtado's third album, Loose, was Furtado’s sexy return after the Canadian singer's exploration of her Portuguese heritage on Folklore. "In the studio, initially I didn’t know if I could do it, 'cause Timbaland wrote that chorus," Furtado said. "I'm like, 'That's cool, but I don't know if I'm ready to do full-out club.'" The flirty lyrics are a dance between a guy and girl, each knowing they will end up in bed together but still playing the game. "Tim and I called it 'The BlackBerry Song,' she said, "because everything we say in the song you could text-message to somebody."

    More Song Stories entries »
    www.expandtheroom.com