.
http://www.rollingstone.com/assets/images/album_review/31bfacf7c36616c1536b83a9d7414ba657dd695c.jpg Divine Light: Reconstructions & Mix Translation

Santana

Divine Light: Reconstructions & Mix Translation

Rolling Stone: star rating
Community: star rating
5 0 0
July 31, 2001

Back in the early Seventies, well before he'd ever heard of Rob Thomas, Carlos Santana cut a pair of solo records, Love Devotion Surrender and Illuminations, while under the influence of two dangerous substances: the music of John Coltrane and the philosophy of Sri Chinmoy. Now producer Bill Laswell has gone back to those albums for a "reconstruction and mix translation," similar to the remixes he's done of electric-era Miles Davis (Panthalassa) and Bob Marley (Dreams of Freedom). The result is a pretentious mess. Laswell's ideas — like tying the re-sequenced tracks together with an Indian tamboura drone — are interesting, but he's dealing with some awfully unfocused material. Several Illuminations cuts offer little more than bombastic orchestral crescendos and interminable harp-plucking by Coltrane's widow Alice. And though it's fun to hear the Love Devotion Surrender selections, especially when Carlos trades searing licks with fellow axe-slinger John McLaughlin, the fact is neither guitarist can match the intensity of their obvious saxophonic idol; they huff and they puff, but they're still way behind the Trane.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Music Reviews

    more Reviews »
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “My President”

    Young Jeezy | 2008

    Young Jeezy teams up with Nas on this track, in which he compare his own success with the idea of an African-American winning the Democratic Party's nomination in the 2008 presidential election. "When I pulled up in my car, that s--- was unbelievable to people in my neighborhood because they were like, 'We grew up with him. How the hell did he accomplish this?'" he told Rolling Stone. "I feel like it was the same way with Obama. I grew up all this time, but I've never seen a black man this close to running this country."

    More Song Stories entries »