This four-man band from Vancouver may be short on flamboyance, but producer-guitarist Randy Bachman (formerly a mainstay of the Guess Who) has a sure sense of dynamics and tone. He brought B.T.O. from nowhere nine months ago with a pair of singles ("Blue Collar" and "Let It Ride") and two good-selling albums, while everyone followed flashier stars.

Guitar sounds dominate their albums, as they reverberate meanly and crash through the group's uncomplicated material. Bachman plays lead with imagination and power, while brother Tim is growing into a solid second guitarist (a third brother, Rob, is the drummer, and bassist Fred Turner rounds out the group). Together, they sound like a more explosive but less articulate Creedence; Turner, Randy and Tim all seem to be using John Fogerty as their vocal model.

This album's "Welcome Home" (written and sung by Randy) is the band's most ambitious song. A musician's-eye view of the long-touring road to success and his mixed feelings when that success begins to come, it is alternately dominated by jazz-influenced picking and shattering chords. For the most part, B.T.O. is more noteworthy for the way it sounds than for what it says. Still, it's quite a sound.

“Time to Pretend”

Listening to MGMT’s breakthrough song, one might interpret it as being about the excesses of rock stardom, but it’s actually about the duo’s pet praying mantis. Ben Goldwasser and Andrew VanWyngarden told Rolling Stone they got the idea from the insect's jerky movements. The mantis died, but the two bandmates kept the egg sack and allowed the hundreds of eggs to hatch. “We tried to name them all, but they died after a day,” said Goldwasser, with VanWyngarden chiming in, “But the praying mantis dance inspired us.”