A Daft Punk live album loses some of the essential experience: the robot costumes, the giant glowing pyramid, the sweaty bodies next to you. And the drugs, definitely the drugs. But the whoops of the human-after-all audience add plenty to the French filter-disco duo's surprisingly consistent career-spanning show. The set leans too heavy on their proggy recent work, but it's still basically a celestial rave tribute to Chic's Nile Rodgers and Bernard Edwards, cut with classic Eurodisco and Roxy Music. "One More Time" still sounds unbearably pompous, proof that robots should never get sincere. But the knockout punch is the final medley of "Superheroes," "Human After All" and "Rock 'N' Roll," as Thomas Bangalter and Guy Manuel de Homem-Christo shoot a Barry Manilow sample over the crowd like they're sprinkling holy water. This is the first-rate live album that Electric Light Orchestra should have made but never did.

“(We're Not) The Jet Set”

George Jones and Tammy Wynette were still married when they recorded the tongue-in-cheek "(We're Not) The Jet Set." The lyrics, written by Nashville songwriter Bobby Braddock, who also penned Wynette's "D-I-V-O-R-C-E" and Jones' "He Stopped Loving Her Today," make fun of the good life by declaring, "We're not the Jet Set/We're the old Chevrolet set." Braddock recalled that while writing the song, he needed the name of a city that evened out the rhyme he had with "Riviera" and "Missourah." “I got out a Rand McNally atlas," he said. "In the first part are the maps. The last part is an alphabetical listing of cities. I wanted a rustic, small-time sound. I went to the listing for Missouri. And I found 'Festus.' I loved the sound of it."