Sly Stone, at one time the San Francisco Bay Area's top rated rhythm and blues disc jockey and also a former A&R man for a now defunct local label (Autumn), once composed a song, with Tom Donahue, called "The Swim." Sly Stone is well-based in composition and production and he does have "a whole new thing."

The record represents the Bay Area's very first rhythm and blues group to go national. It reflects a combination of San Francisco's 'new thing' and some standard R&B techniques, an approach which is interesting but not entirely effective. None of the tracks particularly stand out as strong. The production — and it is more a production than a performance — is still in the experimentation stage and has not yet come to a satisfactory conclusion.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."