As the title suggests, Lindsay Lohan makes a fatal mistake on her second album: She tries to, like, express herself. The album de-emphasizes the (very) guilty pop pleasures of her 2004 debut in favor of leaden I-hate-you-Daddy laments such as "Confessions of a Broken Heart" and "My Innocence." Lohan has a much bigger — though less distinctive — voice than her sometime-pal Ashlee Simpson, but she sounds like a high school talent-show winner on the album's two classic-rock covers: a sprightly take on "I Want You to Want Me" and a karaoke-faithful version of "Edge of Seventeen."

“Satisfied”

Only the genius of Tom Waits could combine the subject of mortality, a reoccurring theme in his work, with wordplay that name checks both Mick and Keith, whom he calls "Mr. Jagger" and "Mr. Richards," and the title of their magnum opus, "Satisfaction." And to show just how cool Waits really is, he even got Mr. Richards to play along, one of nine guest appearances the guitarist has made on three Waits albums. "This growling roadhouse stomp is a late-breaking response to the Stones' greatest hit," Rolling Stone said of the track.