You'll have to take your eyes off teen temptress Ludivine Sagnier to navigate the psychological twists in Francois Ozon's thriller. It's almost worth it. The French director is a major tease, as proved by the way he blended song, dance and homicide in last year's 8 Women.

In this film, Ozon's first in English, Charlotte Rampling, the star of his brilliant Under the Sand, portrays Sarah Morton, a prissy British novelist with writer's block. At the home of her publisher (Charles Dance) in the south of France, Sarah hopes inspiration will come.

What comes instead is his babe daughter Julie (Sagnier), who beds men under Sarah's prim nose. Then one man ends up dead. Or does he? Ozon is screwing with us, playfully enough so we don't resent it, but he's working the shallow end of the Pool. It's Sagnier, a young Bardot, who lifts the movie, and Rampling, 58, who gives it nuance, not to mention a nude scene that shows off a body Demi Moore would envy. These two make it seductive fun to be fooled.

“1999”

“I don’t consider myself a great poet,” Prince told Rolling Stone. “I just know I’m here to say what’s on my mind.” In the case of the apocalyptic party anthem “1999,” he was worried about then-president Ronald Reagan’s foreign policies. The song’s melody is based on a riff borrowed from the Mamas and Papas’ “Monday, Monday,” and Prince originally envisioned the first verse with three-part harmony but later split the vocals between himself and members of the Revolution. Because Warner Bros., with whom Prince was locked in a contractual battle, owned the original’s masters, Prince rerecorded the song and appropriately released that version in 1999.