It takes half an hour — forever in movie time — for this relationship comedy to get going. But when it does, Jennifer Aniston, as a corporate type who buys ghastly motel art, and Steve Zahn, as the night manager at his parents' Arizona motor inn, do quiet wonders. Smarting from her split from a yogurt tycoon (a splendid Woody Harrelson), she lets the nerd touch her butt. Something happens. I can't describe it. But it's not formula and it's not TV. Playwright Stephen Belber (Match), in his directing debut, comes close to the sweet spot. He's not there yet. But he'll be worth watching next time.

“1999”

“I don’t consider myself a great poet,” Prince told Rolling Stone. “I just know I’m here to say what’s on my mind.” In the case of the apocalyptic party anthem “1999,” he was worried about then-president Ronald Reagan’s foreign policies. The song’s melody is based on a riff borrowed from the Mamas and Papas’ “Monday, Monday,” and Prince originally envisioned the first verse with three-part harmony but later split the vocals between himself and members of the Revolution. Because Warner Bros., with whom Prince was locked in a contractual battle, owned the original’s masters, Prince rerecorded the song and appropriately released that version in 1999.