A hooded serial killer stalks the Budapest subway while Bulcsu (the appealingly disheveled Sandor Csanyi) and four other ticket inspectors — they're called Kontroll — try to stop the next victim from being pushed in front of a train. Shooting in the underground, lit by an eerie fluorescent glow, first-time writer-director Nimrod Antal spices the suspense with laughs and sex — Bulcsu drools for a hottie (Eszter Balla) in a bear suit — but it's the whooshing terror that fries your nerves to a frazzle. Antal's control never falters.

“I Can See for Miles”

A foreboding accusation of lies and deception, "I Can See for Miles" was given a psychedelic hard-rock veneer by Pete Townshend's whiplash guitar riffs and Keith Moon's thundering drums. The song helped break the Who as stars in the United States, giving them a Top Ten hit in late 1967. "I swoon when I hear the sound," boasted Townshend in Rolling Stone. "The words, which aging senators have called 'drug oriented,' are about a jealous man with exceptionally good eyesight. Honest."