This ain't the old Dakota Fanning rape movie they showed at Sundance nearly two years ago to a rain of critical revulsion. This is the re-edited Dakota Fanning rape movie that re-emerges as an even riper piece of cheese. Fanning, then 12, plays Lewellen, toughing it out in 1950s Alabama with her nut-case daddy (David Morse) and religious-zealot grammie (Piper Laurie) but finding solace in her worship of Elvis. The rape, barely glimpsed, happens when Lewellen does a dance for a local boy who promises her a ticket to the King's concert. If there's a Southern-gothic cliché (oh, those snakes!) that writer-director Deborah Kampmeier misses, I don't know it. What I can't figure is why anyone would want to release this tripe in theaters just when Fanning has nearly lived it down. They ain't no friends of mine, or any other moviegoer.

“V.T.T.L.O.T.F.D.G.F.”

Quite a few musicians have utilized initials for song titles -- Michael Jackson's "P.Y.T.," Abba's "S.O.S.," Donald Fagen's "I.G.Y.," etc. But the more curiously initialed tune has to be "V.T.T.L.O.T.F.D.G.F.," short for "Voyage to the Land of the Freeze-Dried Godzilla Farts." Fishbone's original guitarist, Kendall Jones, explained to Rolling Stone, "When Norwood [Fisher] wrote it, he introduced it to the band saying, 'Man, I've been hearing about all these Nazi right-wing groups on the news saying the Holocaust was staged. So what if America said it never dropped two atom bombs on Japan, that it was actually Godzilla popping a couple off?' Only Norwood would come up with something that out." The same year "V.T.T.L.O.T.F.D.G.F." was released, the film Godzilla 1985 appeared in North America.