Would you buy Will Smith as John Hancock, an amnesiac, grab-­ass, booze-swilling superhero who flies under the influence and disdains the punk-ass citizens of Los Angeles for thinking he's a superasshole? Trust me, you will. There also exists in L.A. a publicist, Ray Embrey (Jason Bateman), committed to making the world a better place. Now, that's pushing it. Director Peter Berg has a feel for guys who screw up (see Very Bad Things), and he mines the herky-jerky script for every toxic glint of macho posturing. It's all hugely entertaining until the final reel, when the film tries for a tragic dimension it can't handle. Leave that to The Dark Knight. The actors save the day. Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.

“The Everchanging Spectrum of a Lie”

The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”