Jennifer Garner should have used an alias instead of putting her name on this breathlessly boring spinoff of Daredevil, the 2003 Marvel Comics misfire in which she co-starred with her new honey, Ben Affleck. Garner is back (Affleck isn't) doing martial-arts kicks as Elektra, this time dressed in skimpy S&M Madonna rejects. The hottie lady in red has returned from the dead in the form of a cranky, listless contract killer redeemed by the love of the little girl (Kirsten Prout) she saves from — oh, who the hell cares?

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."