.

Don't Tell Mom the Babysitter's Dead

Christina Applegate

Directed by Stephen Herek
Rolling Stone: star rating
5 0
Community: star rating
5 0 0
June 7, 1991

Blame the smash of 'Home Alone' for the new herd of kids-on-the-loose movies. Let's hope none are dumber than this one. Christina Applegate, who plays Kelly Bundy with such slutty verve on Married . . . With Children, stars as Sue Ellen "Swell" Crandell, the eldest of a brood of five (ages six to seventeen). Their divorced mom has left them for the summer with baby sitter Lil Sturak (Eda Reiss Merin), a gentle old biddy who turns into Rambo when Mom exits. "All right, you maggots," she says, blowing her whistle, "line up."

Lil dies quickly of heart or script failure, and the kids dump her at the mortuary, eager for a parent-free summer. Since Mom's money got buried with Lil, Swell must work. She lucks into a job with a clothing manufacturer by faking her rTsumT and adding ten years to her age (the star is actually nineteen).

There's no telling how the unflatteringly photographed Applegate delivers a comic line on the big screen, because Tara Ison and Neil Landau haven't written her any. And it's painful to see pros like Joanna Cassidy and John Getz stuck in this sewage. Director Stephen Herek does what you'd expect from the man who gave us Critters and Bill & Ted's Excellent Adventure, i.e., grinds out the film equivalent of processed cheese.

prev
Movie Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Movie Reviews

    More Reviews »
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “All Along the Watchtower”

    The Jimi Hendrix Experience | 1968

    Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

    More Song Stories entries »