.

Dear Frankie

Emily Mortimer, Gerard Butler, Sharon Small, Jack McElhone, Mary Riggans

Directed by Shona Auerbach
Rolling Stone: star rating
5 3
Community: star rating
5 3 0
February 24, 2005

Gerard Butler hid his looks behind a mask and disfiguring makeup in The Phantom of the Opera. But onscreen in Dear Frankie, Butler shows sensitivity as well as quality. He plays a Scottish sailor hired by Lizzie (Emily Mortimer) to pretend he's the father of her son Frankie (Jake McElhone), a deaf nine-year-old living outside Glasgow who knows his crewman dad only from letters, delivered from an ever-traveling cargo ship. In truth, Lizzie writes the letters to protect Frankie from his dad's real identity. What could have been a sentimental train wreck emerges as a funny and touching portrait of three bruised people. First-time director Shona Auerbach refuses to blunt the edges of Andrea Gibb's script. A former photographer, Auerbach shows us the lived-in Scotland, not the postcard version. She does the same favor for the actors. Mortimer uncovers long-buried feelings in Lizzie. And Butler is quietly devastating in his scenes with McElhone, a real find. The film is unhurried, unslick and easy to hold dear.

prev
Movie Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Movie Reviews

    More Reviews »
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Nightshift”

    The Commodores | 1984

    The year after soul legends Marvin Gaye and Jackie Wilson died, songwriter Dennis Lambert asked members of the Commodores to give him a tape of ideas. "And the one from Walter Orange has this wonderful bass line," said co-writer Franne Golde. "Plus the lyric, 'Marvin, he was a friend of mine' ... Within 10 minutes, we had decided it should be something like a modern R&B version of 'Rock 'n' Roll Heaven,' and I just said, 'Nightshift.'" This tribute to the recently deceased musicians was the band's only hit without Lionel Richie, who had left for a solo career.

    More Song Stories entries »
    www.expandtheroom.com