If you've had it with all that feel-good holiday sludge, hook up with the combustibly nasty Bad Santa. It could become a Christmas perennial for Scrooges of all ages. Billy Bob Thornton is sinfully funny as Willie T. Stokes, a butt-smoking, booze-swilling, hooker-screwing department-store Santa who hates the product-whoring "little shits" who sit on his lap. Why does he do it? He and his elf partner (Tony Cox) rob the malls every year — the elf crawls through the air vents — and live off the proceeds. Their new target is a store run by a prissy manager (the late John Ritter) and a hardass detective (Bernie Mac, hilarious just eating an orange). But then Willie meets a fat kid (Brett Kelly) living with his senile grandma (Cloris Leachman) and starts developing feelings. And maybe that kinky barkeep Sue (Lauren Graham, pissing on her goody Gilmore Girls image), who likes being shagged by men in Santa suits, is someone to settle down with.

Don't pout. It takes screenwriters John Requa and Glenn Ficarra until nearly the end of the movie to start throwing softballs. Until then, Thornton and director Terry Zwigoff (the master behind Crumb and Ghost World) deck the halls with comic toxicity. Still, you expect more of Zwigoff and the Coen brothers, who served as producers, than one joke repeated and reconfigured to diminishing returns. It's Thornton who pulls you over the bum spots. As slime personified, he's sublime.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."