.
Anna Karenina

Anna Karenina

Keira Knightley, Jude Law

Directed by Joe Wright
Rolling Stone: star rating
5 3.5
Community: star rating
5 3.5 0
November 15, 2012

It could have weighed a ton. That can happen when you film an 1877 classic by Russian novelist Leo Tolstoy. But thanks to director Joe Wright, Anna Karenina lifts off into the wild blue of his imagination. The surging romantic tragedy of a woman who dies for love is still there in Tom Stoppard’s screenplay. Anna (Keira Knightley) leaves her dull husband, Karenin (Jude Law, so good he makes virtue worth investigating), and their beloved son to experience unbridled passion with studly Count Vronsky (Aaron Taylor- Johnson, the definition of dashing). The story has been filmed many times, but never with this kind of erotic charge. Knightley is glorious, her eyes blazing with a carnal yearning that can turn vindictive at any perceived slight.

Rather than genuflecting to Tolstoy, Wright (Atonement, Hanna) shakes things up by setting his film in a 19th-century theater to emphasize Anna’s artificial life in Russian society, moving outside when the characters connect to the real outdoors enjoyed by the country farmer Levin (Domhnall Gleeson). Don’t shriek at the sacrilege. My advice is to let Wright’s Anna Karenina work its strange and marvelous spell.

prev
Movie Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Movie Reviews

    More Reviews »
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Whoomp! (There It Is)”

    Tag Team | 1993

    Cecil Glenn — a.k.a., "D.C." — was a cook at Magic City, a nude dance club in Atlanta, when he first heard women shout "Whoomp — there it is!" Inspired by the party chant, he and partner Steve "Roll'n" Gibson wrote a song around it. Undaunted by label rejections, they borrowed $2,500 from Glenn's parents and pressed 800 singles, which quickly sold out in the Atlanta area. A record deal came soon after. Glenn said the song was meant for positive partying. "If you're going to say 'Whoomp there it is,' and you're doing something negative, we'd rather it not have come out of your mouth."

    More Song Stories entries »
    www.expandtheroom.com