Photo: Harrison/Getty
It begins again. Here I am in Park Cty, Utah, where Robert Redford's Sundance Film Festival celebrates its 25th anniversary by trying to bust through the gloom of a nation's economic crisis and the growing pissy impatience among audiences for any movies that don't have cute dogs or horror scenes in 3D. What does that mean for indie films of mind and heart? That's yet to be determined. All I know as I begin my trek through Sundance's movie menu, not to mention the parties and the temptations to chuck it all and go skiing in Deer Valley when the films suck, is that a really good movie—even a despairing one—can lift your spirits. So here are five of the movies I'm most looking forward to seeing as I begin my '09 Sundance journey:
Brief Interviews With Hideous Men, adapted from the book by the late, great David Foster Wallace by John Krasinski—yes, the funny guy from The Office—has to be the ballsiest movie in the dramatic competition since Wallace is considered famously unadaptable. But Krasinski as screenwriter, director and actor, has taken on the job of staying faithful to Wallace's word wizardry about carnal knowledge and the men who expose their carnal ignorance with his own attempt to find new ways of telling stories. I am so there.
Big Fan stars comic Patton Oswalt as a football fanatic—his day job is garage attendant— whose obsession with the New York Giants and the team's star linebacker goes over the top when they meet at a Manhattan strip club. Robert Siegel, making his directing debut, wrote the script. And since Siegel worked wonders scripting The Wrestler and worked the editorial side of The Onion, I'm expecting the unexpected.
Tyson is director James Toback's documentary about the troubled boxing champ based totally on Mike Tyson speaking for himself about every triumph and fuckup in his life. Since Toback persuaded Tyson to act in his his 2000 film Black and White, this ought to be something. Just think back on the scene in which Robert Downey, Jr makes a play for Iron Man Tyson and the champ calls him a "cum guzzler" and starts choking him, and you'll know what I mean.
I Love You Phillip Morris reps a chance for Jim Carrey to prove what he is—a solid actor trapped by his Yes Man sensibility to Hollywood's box-office mentality. In this fact-based story, Carrey plays a married Texas cop turned con man who goes to prison and falls hard for his gay cellmate (Ewan McGregor). If it takes Sundance to get Carrey pushing the envelope again, so be it.
Paper Heart is one of those Sundance movies everyone's being real quiet about. Is this love story starring Michael Cera and comic Charlyne Yi really a docudrama about their own true-life romance or are they both screwing with us? Either way, I'll be there when the film get its first showing on Saturday night.

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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.
a park city local | January 21, 2009 2:33 AM
@bee, etc
from a local perspective I can see how sundance has changed and become a bit more mainstream but I think there are still a lot of films that deserve their spots and need that promotion. I saw an eco-documentary called The Cove today and it was absolutely amazing- but they, like many others, are still in need of a distributor to get their message out.
And there is always the alternative: Slamdance runs side by side Sundance and is on it's 15th year. They only accept films/shorts/music videos from first time filmmakers/directors and are much more "indie"...
so come check it out, it's actually quite fun...
Chris Price | January 19, 2009 8:17 PM
Sundance seems like its gonna suck every year and then by the and of it we all discover......it pretty much did, save one or two surprises.
Elbowski | January 19, 2009 12:17 PM
Bee-
You're absolutely right.
David H. Deans | January 18, 2009 8:55 AM
I'll wait for SXSW film festival in Austin. Still open to documentaries and movies that have something meaningful to offer.
bee | January 18, 2009 2:23 AM
lol, no, you guessed wrong. But if I had a "no budget" film, I wouldn't be trying to submit it to Sundance, even though the image they try to push might suggest one to regardless of how false. Which is all my rant is about, since you seemed to miss the point - a little honesty... Feel free to knock that, not whether or not I had a film that did/didn't make the cut. If you are in the industry I can see why that might be difficult for you. God forbid one be honest, and not simply bitter from a past experience, as you seem to so brilliantly be conceiving. God forbid one actually call a spade a spade, and maybe alert less aware people to some truth so they don't waste their own time and money! God forbid, especially in that industry where you are all much more scared to be a trifle honest.
John | January 17, 2009 7:23 PM
lol, guessing your no-budget indie film didn't make the cut. Haha.
bee | January 17, 2009 12:53 PM
Sundance sucks - Take a look at the films that made their so called "dramatic" competition of the thousand or so entered. It is all of only sixteen films that actually make the competition. And guess what? Almost every single one has a name actor or director attached to it... Sundance could care less about real strong indies anymore. It's all PR--publicity that matters... They don't choose winners based on the best work they receive. They choose based on what celebrity is attached to the project already, and the truly great films from newer or unknown directors/writers/producers/actors/etc who looked up to Sundance as their only shot or opportunity to have a real impact on a larger audience (cause God knows they can't rely on the industry that thrives only on "who you know" and not at all talent) don't do anything but pay the fee to submit their film. Maybe a gig fat ONE will make it into the sixteen for the competition. But the other fifteen are all high profile films... Films that easily bring some publicity already to the table. Everyone in the industry knows this about Sundance and many of these film festivals and even screenplay competitions. I laugh at Redford-he's so disgustingly full of it with his real indie opportunity crap.