Smoking Section by Austin Scaggs

March 2009 Archives

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Radiohead Set to Announce Summer Gigs

March 12, 2009 11:12 AM

Radiohead's extremely tall guitarist Ed O'Brien has announced the band is plotting a summer tour, and that they are working on new tunes which may be debuted on the road.

Speaking to BBC Newsbeat, O'Brien said, "We are working on new material. We'll be doing some more recording. It's business as usual."

No word on whether the tour will include dates in the States, but let's all just go ahead and say a little prayer...

Amen.


Tour Dates

Win Free Tix To SXSW!

March 11, 2009 1:49 PM

Photo:Miller/WireImage

Going to the South by Southwest music festival? 

Badge or no badge, the Smoking Section has their hands on special tickets and can get you into see performances by Shwayze, Tinted Windows, Echo and the Bunnymen and Ben Harper and Relentless7 live inside the Austin Convention Center.

All you have to do is send us an email (click on the tips button to your right) with the name of the band you want to see in the subject line. 

The first email we get for each band will win a pair of tickets for that show. So hurry!

(Oh, and if you can't make the festival, DIRECTV will be broadcasting live showcases from Austin, featuring some of the best acts the fest has to offer!)


Will Metallica Play SXSW?

March 11, 2009 11:48 AM

Photo: Fusco/Getty

OK. Here's how it all breaks down.

The Stubbs schedule for the South by Southwest festival was republished this morning with some interesting changes. On Friday, March 20th, at 10:00 pm there will be a Guitar Hero Metallica challenge -- not all that exciting. 

But the 10:30 slot is filled by a band called Volsung, hailing from "Somewhere, Norway." Volsung, a band no one has ever heard of, has a two hour, prime-time slot at one of the best venues in Austin, during one of the best music festivals in America.

Is Volsung a cover-up for Metallica? According to Norwegian mythology, Volsung was killed by a Geatish king, and then avenged by one of his sons, named Sigmund. More importantly, though, is that in the English story of Beowulf, after Beowulf slays Grendel, a Danish bard sings about Sigmund and his father.

Lars Ulrich is Danish!

Coincidence?


On the Bus with Pete Doherty

March 11, 2009 11:27 AM

Pete Doherty gave a few lucky fans the ride of their life last night. The Babyshambles frontman rented a double decker bus and transported them to his gig in Paris. The bus was decked out with posters and pictures, and the album cover for Doherty's upcoming solo album, Grace/Wastelands, was plastered all over the walls. 

While on the trip, Doherty serenaded his fans with some acoustic tunes, including "The Good Old Days" and "Can't Stand Me Now." Check out footage.


Random!

HBO's Eastbound & Down Gives Props To Freddie King

March 11, 2009 11:18 AM

Photo: HBO

Not only is HBO's Eastbound & Down one of the funniest fuckin' things we've ever seen, but the music on the show is amazing!

Like when Kenny Powers is riding his jet-ski to "Black Betty," by Ram Jam. Or when he's blowing coke to April Wine's "Could Have Been A Lady." Eastbound has also featured kick-ass jams like MC5's "Miss X" (probably not a coincidence: Wayne Kramer contributes original music to the show), and Early Man's "Death Is Not the Answer," and R.L. Burnside's "Let My Baby Ride," and Black Keys' "Your Touch," and Tindersticks' "The Organist Entertains."

But our favorite jam is the theme song, Freddie King's "Going Down." Freddie was one of the great Texas blues guitarists, influencing Stevie Ray Vaughan, John Mayall and, above all, Eric Clapton.

He recorded "Going Down" during his five-year tenure at Shelter Records, the label run by the greatest rock-pianist ever, Leon Russell. Those hammering keys on the tune are from Russell himself.

One of the greatest compilations of all time is The Best of Freddie King: The Shelter Records Years, which is hard to find, but available on iTunes. You must hear the whole thing. 

In the meantime...

Freddie King - "Going Down"


Random!

Introducing... Wake Up Lucid

March 10, 2009 11:30 AM

Thanks, S.S. readers, for your tips about L.A. trio Wake Up Lucid. We checked 'em out, dug their shit and hunted 'em down. We got them fresh -- turns out their first gig was last December. 

Wake Up Lucid are cousins Ryan Baca (guitars/vocals) and Ian Baca (bass), and drummer Dan Hodge. They've known each other forever and jammed plenty before officially forming the band last March. 

At that first gig in December, at LA's 24K club, "A couple of DJs from KROQ were there and they were really pumped on it," says Ryan, 29, who loves the Beatles and Zep and the Black Keys and the Raconteurs. "The crowd was stoked and they just started asking us back. So we decided to roll with it and kept going."

And they've only played a handful of shows since, and they're still in the process of making an EP.

They certainly have the dedication. "At our second show, we were about to get on stage when our drummer gets a phone call that his house just burned down," says Ryan. "We ended up playing the show -- I mean, it was already burned to the ground."

Check out "Broke Down House" below, and head over to their MySpace to hear more.

Wake Up Lucid - "Broke Down House"


Chris Cornell Talks Ten and First Pearl Jam Gig

March 9, 2009 12:52 PM

Eddie Vedder of Pearl Jam hangs on Chris Cornell during a Soundgarden performance in 1991. Photo:Temme/WireImage

On Friday we had a long chat with Chris Cornell for an upcoming Q+A in Rolling Stone. On March 10th, he'll release Scream, his new album that he made with the mighty Timbaland.


In honor of the upcoming reissue of Pearl Jam's Ten, we got Cornell reminiscing about Temple of the Dog, and seeing PJ's first show ever, in October of 1990 at Seattle's Off Ramp.(They were known as Mookie Blaylock.)

Q: You were obviously around the guys in Pearl Jam when they were working on Ten. From your perspective, what was it like watching them ascend so quickly?

A: It was just one surprise after another. I was at their first show, and it wasn't a surprise to me that they'd take off. It wasn't an immediate ascension, though, it was very MTV-driven, which was the case with all the Seattle bands. To be frank, it was all MTV-driven. With Soundgarden, we'd sold a couple hundred thousand copies of Louder Than Love and MTV put up "Outshined" and suddenly we were Number Five on the Billboard charts. Same thing happened to Nirvana and Alice In Chains and the Chili Peppers. The hit video phenomenon is what propelled these bands to sell out stadiums.

What do you remember of that first Pearl Jam show?

It was fantastic. It was the best debut show of any band that I've ever seen. They were not the band that we toured with in '92 on Lollapalooza, whic was much more jam-oriented and much more aggressive. That first night they were flawless, and the soulfulness coming from Eddie was unlike anything I'd ever seen in a club. His singing was phenomenal, and the songs had a lot of weight to them, more so than when I'd heard those official recordings. I felt like I was seeing a moment that was happening that was about to change everything.

Was that after Eddie had sung on "Hunger Strike," with Temple of the Dog?

Yeah. When we did that, Eddie had only sung over the demos that Stone Gossard had sent him. They were working out whether or not they'd become a band. I wasn't really sure. So Eddie was at the second of two rehearsals that we had as Temple of the Dog, waiting for us to be done so that they could rehearse, and I was singing "Hunger Strike." I'd written it but it wasn't really complete. I thought it could be a live track, or a deep album track. All it had was a verse and a repeating chorus. It was written as it is, so I was singing the low and high parts simultaneously, thinking I would overlap them, and he shyly came up to the microphone and started singing the low parts. I heard his voice and a light bulb went off in my head, and I thought, “Wait a minute, he sounds amazing in this register, why not I’ll sing a verse, then he can sing the same verse again, so it’s up to two verses, and we’ll have a real song here. This could be great.” Everybody seemed to like that idea. 

Which songs on Ten blew you away?

"Black" and "Release." Those were kind of shocking. The structures of those songs were not really typical, and they were really full of melody and super-memorable. I remember Eddie singing "Release" at the show and it knocked me over. It was weird, because Seattle went from this era where you couldn't find a good singer  if you went to every single show seven days a week, to seeing Layne Staley do one-take demos for five songs in a row that were all incredible album takes, and seeing Eddie's debut. I was shocked by the first Nirvana demo I'd heard, which was before Bleach! Mark Lanegan was another guy. All these unique voices were starting to appear and no one sounded remotely similar to the other guy.


Exclusive

Razorlight Enters the S.S.

March 9, 2009 12:34 PM

Razorlight - "Wire to Wire"

 [Video: Pete Maiden/Eric Helton; Editing by Eric Helton

Razorlight are a massive rock sensation in their native U.K., but have yet to achieve cross-the-pond success in the U.S.A. Will their third album, Slipway Fires (due March 10th) be the charm?

We were lucky enough to welcome frontman (and former British GQ cover man) Johnny Borrell and drummer Andy Burrows swing by the S.S. to play us some tunes from the new album. Check out the single, "Wire to Wire" above, and click the jump for "Hostage of Love."

And should you dig it, then check out Razorlight on the road, as they kick off a mini-tour of the States on March 9th, including three showings at SXSW.

Mar. 09 - Middle East - Boston, MA
Mar. 10 - Hiro Ballrroom - New York, NY (Record release party)
Mar. 12 - North Star Bar - Philadelphia, PA
Mar. 14 - Double Door - Chicago, IL
Mar. 16 - 12th and Porter - Nashville, TN
Mar. 17 - The Loft - Atlanta, GA
Mar. 19 - SXSW - Austin, TX
Mar. 20 - SXSW (Filter Magazine Party) - Austin, TX
Mar. 21 - SXSW (official show at Stubbs) - Austin, TX
Mar. 24 - The Independent - San Francisco, CA


BONUS: Want to win an exclusive Slipway Fire CD/DVD package? Tell us why you love Razorlight and we'll pick the best entry. Deadline is Friday, March 20th, so get moving!

(more...)


JJ Cale Is Our Hero

March 6, 2009 10:57 AM

Photo: Jane Richey

A few weeks back we had the honor of interviewing legendary songwriter JJ Cale about his new album, Roll On.  We wrote about it in the last issue of RS. Check it out right here

Turns out that the man who wrote the awesome Clapton hits "After Midnight" and "Cocaine" is one of the most down-to-earth dudes we've ever met.

And Roll On is an incredible album. We've been listening to it nonstop!

As he has throughout his career, JJ played pretty much every instrument on Roll On, and his lyrics couldn't be more perfect and economical. On the album he sings about the old days, and he sings (a lot) about loose women, but our favorite song on the album, "Leaving In the Morning," which addresses mortality. (JJ is seventy years young!)

It's one of the most beautiful songs ever.

Please enjoy.

Then get your hands on the whole album.

JJ Cale - "Leaving In The Morning"


Exclusive: Wayne Coyne Tears Apart Arcade Fire!

March 4, 2009 6:49 PM

Photo: Koplaoff/FilmMagic (Coyne), Gershoff/WireImage(Butler)

Wow! We love Flaming Lips frontman Wayne Coyne. He's always been cool to us, and we appreciate the fact that he always speaks his mind. So, it wasn't a total shock to hear him tear the Arcade Fire a new asshole.

So, last week, our buddy and colleague Andy Greene is on the phone with the Coyne, when they started talking about some of the movers and shakers in the music world. They talked about Brian Eno, and Radiohead, and then got on the subject of Arcade Fire, which set Coyne off. (Just to clarify, Coyne is not comparing Eno to the Arcade Fire -- Eno was just a talking point.)

"I'm a fan of them on one level, but on another level I get really tired of their pompousness," says Coyne. "We've played some shows with them and they really treat people like shit. Whenever I've been around them, I've found that they not only treated their crew like shit, they treated the audience like shit. They treated everybody in their vicinity like shit. I thought, 'Who do they think they are?' I don't know why people put up with it. I wouldn't put up with it. I don't care if it's Arcade Fire or Brian Eno. If either of them walked into a room and treated people like shit I'd be like, 'Fuck you, get outta here.'

He continues, "People treat Arcade Fire like they're the greatest thing ever and they get away with it. Those sort of opinions change my view of their music. They have good tunes, but they're pricks, so fuck 'em. Who does Arcade Fire think they are? I've been around groups. I've been around the Edge from U2 and he's the fucking sweetest guy ever. I was around Justin Timberlake when he was young and he was just a normal, nice, kind person.  Anyone can be polite and kind and people who have the privilege and money and attention should understand that. If they don't, then fuck 'em."

Discuss.

UPDATE: Through their publicist, the Arcade Fire has declined to comment.

UPDATE #2: Arcade Fire frontman Win Butler has responded via his band's website. (Follow the link to Win's scrapbook.)

(more...)


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