Click here to watch our full Breaking interview video, featuring Beirut's Zach Condon playing all the instruments in his apartment and chatting about recording his latest album, The Flying Club Cup.

Who: Multi-instrumentalist Zach Condon, a twenty-one-year-old musical prodigy from New Mexico who dropped out of high school and headed to Europe, where a nutty neighbor exposed him to the old-fashioned Balkan sounds that would influence Gulag Orkestrar, his 2006 album that blew bloggers' minds.

Sounds Like: Beirut's folk-rock evokes lazy strolls down European back alleys via a delightfully unpolished blend of Condon's supple tenor voice, accordion, brass and strings. It's not hard to detect the influences of Gypsy rock and the orchestral rackets of Elephant 6 bands like Neutral Milk Hotel, either.

Three Things You Should Know:

1. Condon's big break came when he was working as an ice-cream scooper. "I dropped out of school at sixteen," he says. "I went back four times, though some of them were as long as one day. I went to the University of New Mexico for about a month when I got a very strange phone call from Ben Goldberg who owns Ba Da Bing! Records, and he said he wanted to release my album. I was going to class that day and I turned around and went home and got the next flight to New York."
2. Beirut's second full-length album The Flying Club Cup was recorded in Condon's home state and Quebec, where Arcade Fire violinist Owen Pallett (a.k.a. Final Fantasy) traded string arrangements for Neon Bible for two free weeks in the band's church studio. "We lost our minds for a couple of weeks, shut off from the world in this little church up till four, five in the morning," Condon recalls. "I'd sleep for a couple of hours and wake up to the sound of violins and drums." The Arcade Fire folks, as well as onetime Neutral Milk Hotel drummer Jeremy Barnes, are Condon pals now.
3. Condon's first instrument was the trumpet (he has horns tattooed on both wrists), and he was so "absolutely obsessed" with doo-wop and Motown as a kid that he even made a doo-wop album. "One of my earliest memories I have of music is my dad and his two brothers would sing old doo-wop songs together. He gave me his old Frankie and the Teenagers album and I fell in love with it and thought this is it, this is the music I want to do. [My doo-wop album] has never been released, but there are some really hilarious great tracks from it that I still listen to myself, in secret."

Get It: The Flying Club Cup came out October 9th, and samples are of course available on the band's MySpace page (which deliberately misspells the band name in the url). And click above to watch two Breaking videos: the first features Condon singing an impromptu cover of Leonard Cohen's "Hallelujah" accompanied by a ukelele being plucked by a Metrocard (no picks could be found in his Brooklyn apartment); in the second clip, Condon wanders his apartment playing whatever instruments he can find — including a conch shell — and talks about how high expectations and a bout of exhaustion affected the recording of his second LP.

› ›Watch every episode of our weekly New Breaking Artist video podcast by subscribing via iTunes (when prompted, click "Launch application"). Every Wednesday, an exclusive video profile of an emerging artist will be delivered to your iTunes. [If you don't have iTunes, download it here.]

Who: Graham Walsh and onetime By Divine Right guitarist Brian Borcherdt, two music geeks from Toronto who started Holy Fuck as a side project aimed at approximating the sound of electronic music with real live instruments.

Sounds Like: A hip Seventies stoner dance party come to life. The band's two official members plus a rotating rhythm section create ambient but spastic (and strangely groovey) instrumental electro noise rock with an array of what Walsh affectionately terms "toy keyboards and junk and things that made weird sounds." Onstage, they hover over keyboards, pedals and even what appears to be an old film projector, twisting knobs and pounding at keys while a drummer and bassist help hold together their improvised jams.

Three Things You Should Know:

1. Holy Fuck travel with a lot of gear, and their live show looks like a potentially dangerous electrical closet. "That's my way of nerding out and getting my gear jollies," Walsh explains of the band's messy, wire-covered stage setup. "Initially we were put across as a band that plays toy instruments," he recalls. "I think our music goes much deeper than us playing toy instruments. I don't want to seem like the Blue Man Group."
2. If you bring Holy Fuck your favorite weird instrument, they'll try to play it. "A fan once had a cool toy keyboard at home they weren't using so they brought it out and we're like, 'Hey, I thought you guys could use this.' And it actually turned out to be really cool instrument that I use a lot," Walsh says. "We initially had this idea where we would invite fans or people if they wanted to bring something out we'd try to incorporate it into the set that night. That was more when we were fly-by-the-seat-of-our-pants improv and now we have more of a set. We'd still do it though."
3. The group has been playing together since 2004 and toured extensively the old fashioned way: by driving crap vans from town to town. "We are four dudes driving in a van together but it's awesome," Walsh explains. "I'm starting to worry that I'm the worst driver. There seems to be a lot more questioning going on when I'm driving. I get really distracted. But Brian can be a bit of a lead food on the pedal too."

Get It: Holy Fuck's sophomore album, titled simply LP, is due October 23rd. You can also check out the band's sound on their MySpace page and by clicking on our video slideshow above and listening to "Lovely Allen."

&rsaquo›Watch every episode of our weekly New Breaking Artist video podcast by subscribing via iTunes (when prompted, click "Launch application"). Every Wednesday, an exclusive video profile of an emerging artist will be delivered to your iTunes. [If you don't have iTunes, download it here.]