Album Reviews
The Lil Jon-produced kickoff, "Yeah," creates sensual panic by combining Usher's jumpy attacks with Jon's sublime, frayed beats. On the Jermaine Dupri-produced "Confessions Part II," Usher admits, "The girl that I been creepin' wit'/Says she's three months' pregnant and she's keepin' it." His sweet falsetto on the weepy breakup song "Burn" convincingly marries resolve and regret, but when it comes to rough stuff, there's still no "u" in p-i-m-p. On clap-funk tracks such as the Jam and Lewis-produced "Badgirl" and Prince-tinged "Do It to Me," Usher doesn't do any more than competently ride the beats. He seems more comfortable on the sex-ed homework exploration "That's What It's Made For," where frisky flutes give their blessing to his enthusiastic midsize pimping; maybe coming-of-age can wait.
(Posted: Mar 24, 2004)
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