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The Strokes

First Impressions Of Earth  Hear it Now

RS: 3.5of 5 Stars Average User Rating: 4of 5 Stars

2006

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The Strokes making a third album? That wasn't supposed to happen. After all the tricks they stole from their 1970s New York rock heroes, they seemed destined to blaze out in a storm of booze and leather and Danish strippers, preferably in a five-room suite at the Chelsea Hotel, with a neon sign out the window flickering the words too much too soon. But look at them now. Julian Casablancas got married, reportedly quit drinking, and now he's writing songs about God and fate and the meaning of the universe. They go for a heavier, beefier, louder sound, recording with L.A. studio-rock pro David Kahne, the guy who produced the Bangles' "Walk Like an Egyptian." There are songs on this album with titles like "Vision of Division" and "Electricityscape." "Don't be a coconut/God is trying to talk to you" -- this is the Strokes? Hard to explain, dude.

Fortunately, maturity hasn't slowed the Strokes down. It hasn't even matured them all that much -- they're just learning some new tricks to go with the adolescent faster-louder-more-now stomp of Is This It and Room On Fire. They earned a place in the heart of jaded rock & roll trollops with Is This It, the 2001 debut that shocked the world with the revelation that music should be crass and speedy and flashy and slutty. They tightened the trousers of a whole generation -- even the Swedish guys who wrote Kelly Clarkson's "Since U Been Gone" admit they were just trying to copy the Strokes. But some fans thought Room On Fire was too exactly like the first album -- OK, everybody thought that, even the band. Song for song, it was almost as excellent, and some of us secretly like it even more, but you can't blame them for trying new moves.

First Impressions of Earth is different; it's ambitious, messy, nearly as long as the first two records combined. Guitarists Nick Valensi and Albert Hammond Jr. get to show off, while drummer Fab Moretti provides the forward momentum that makes the Strokes a killer groove band. They've never kicked harder than "Juicebox," which turns the old "Peter Gunn" riff into a surf-metal snarl, or "Heart in a Cage," which jumps like Iggy Pop in "The Passenger." But the music is full of beard-stroking classic-rock flourishes. "Razorblade" has twin-guitar leads straight from Thin Lizzy, and in "Juicebox," Nikolai Fraiture demonstrates that he can do a frighteningly accurate simulacrum of Yes bassist Chris Squire circa Fragile, though why anybody would want to demonstrate this remains a mystery.

Casablancas' voice is still a panty peeler, especially in "Razorblade," where he wails a melody nicked from Barry Manilow and makes it sound soulful. He pouts and moans in fine mod form, as if he realizes his lyrics need all the help they can get. The guy has an uncanny ear for the did-he-say-that? moment, when a dumb bar-stool monologue veers into a brilliant little haiku. He achieves that effect with lines like "I love you more than being seventeen." But man, if you thought he was ridiculous when he was chasing girls, wait till you hear him contemplate mortality in "Ize of the World," as in "modernize," "terrorize," "desensitize," etc. It's like he's challenging Interpol to a poetry slam.

Like most rock bands, the Strokes are better at rocking than not rocking, so ravers like "You Only Live Once" beat failed experiments like the synth-strings ballad "Ask Me Anything" or the Pogues-ish waltz "15 Minutes." Really, this could be the excessive, erratic second album Room On Fire wasn't; if you switched the order of the two albums, Room On Fire would undoubtedly get hailed as their return to form. But as maturity moves go, First Impressions proves what the Strokes set out to prove: They're a serious band of dedicated craftsmen, a band that is here to stay. It also proves they could steal your girlfriend without even trying. But you already knew that.

ROB SHEFFIELD

(Posted: Jan 26, 2006)

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Review 1 of 13

TheModernAge writes:

5of 5 Stars


I was sitting in my friends house after doing this and that one day of the summer. Hanging out, eating, some sort of vandalism. We get inside and grab something to drink and looks at me with the most awe-struck look on his face.
"You gotta listen to this, man!"
He pulls out a CD with colors and all sorts on the front, by 'The Strokes'. You may know ti as 'Is This It'.
I instanly get intranced, and after the album ends, he then slide in 'Room On Fire'. I listen, grabbing everything from it I can.

Most people make statements about the two that 'they are pratically the came album'. Mind you, my dear friends, they are most definitely not. They even have different names! (I kid)

Well, people...here you go. When me and my friend got wind of a third album in production, we literally went insane.
First Impressions (for those of you who complained that The Strokes are doing the 'same ol' thing') is most definitely different. Clearing away from the nitty gritty sound of the past two albums, Impressions bring a much lighter sound.
The album is sort of an epic, from which I view it as. The title of the album itself, First Impressions of Earth, views that The Strokes are somewhat of a new being to the planet, writing they harmonious tracks to how they view the earth and people in it.
Love (You Only Live once, Razor Blade), Sex (Juicebox,) and even Government (Ize of the World) are all covered in this album.
Singer, Julian Casablancas, uses his voice as a gateway of heveanly sounds, giving way to the music. Albert Hammond Jr. and Nick Valensi reply to him through relentless riffs, and a few mentionable solos (Vision of Division and Ize of the World) and also an amazing collaborated lead guitar (Red Light). Drummer Fabrizio Moretti with his sticks of fury, that leave you wondering how with his 4 limbs he could produce the drum parts he spills out. Lastly, Nikolai Fraiture on bass, bringing new and surprising material to each epic.
The Strokes hit the nail on the head in making a good album, but their new trek towards the creative side have left a few downers (Ask Me Anything, a synth track written by Nick and Julian, and 15 minutes, which picks up just as the song ends.)
If you are a huge Strokes fan, or you're losing your Strokesginity, First Impressions won't leave you hanging.

Jan 10, 2007 11:06:43

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Review 2 of 13

nwaskew writes:

5of 5 Stars


this album is better than the first two, they are branching out from their indie sound. It's alright not to have distortion on julians vocals on every freakin song. five stars. no doubt

Dec 12, 2006 21:33:26

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Review 3 of 13

mdp2419 writes:

4of 5 Stars


I try to avoid the serious temptation to christen the Strokes as geniuses simply through superiority by association. Message to the indistinguishable mass of blurred guitar walls, tame drum sounds and whiny baritones that currently covers the rock scene like a stanky blanket: you're out. Sometimes it takes a shot in the arm from an old formula with a new twist to make us remember what really rocks - namely, real players. After listening to each of these tracks, one can't help thinking, "Wow - so that must've taken them a while..." Each guitar part, as separate and uniquely soulful as the Stones' at their most playful; the rythhm section, as precise and adventurous as Radiohead at its most experimental; J.C.'s vocals, as earnest as Chris Martin doing Bono (so to speak) - it's true - craftmanship is alive and well in young, sloppy rock. Beyond the playing and the production - which fires up the Strokes' punch to a much (gulp) bigger bang, there are the melodies: the yearning build-up of "Electricityscape", the screeching refrain in "Fear Of Sleep", the entirety of "You Only Live Once"; not to mention some of the greatest guitar riffs and solos since "Reptilia", particularly in "Ize Of The World" and "Heart In A Cage". Yeah, the lyrics still seem not-quite-ripe in places, but overall, with their third album, the Strokes have achieved something pretty spectacular for a band of not yet thirty-somethings: they've grown into themselves. Don't listen to the "Is This It" devotees who want to strip back down to getting laid in 2:30. This stuff is better. Up we go.

Mar 25, 2006 10:33:05

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Review 4 of 13

musicjunkie writes:

4of 5 Stars


This album is a work of art. First Impressions of Earth is truly something you can listen to over and over again. It's good driving music. You have Julian Casablancas rough, lah-de-da voice on top of clean melodies. This results in a very strong sound. One of my favorites, and if your into gituar tabs, You Only Live Once is very fun to play.

Mar 19, 2006 20:16:42

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Review 5 of 13

joncon23 writes:

4of 5 Stars


i find this to be there best album yet ther isn't a better song than "ize of the world" it just brings out the power of Casablanca's voice and the push of the guitars and gets you going. There are a couple of songs that do slow down the album but that just shows the bands variety in making this album, which could lead to moer influential songs for future albums, everything is an experiment. Let them learn. If you even like the strokes dont hesitate to buy this album, and if you like rock go get it, it will blow you away. It is an awesome album

Feb 1, 2006 11:41:54

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Review 6 of 13

RICHIE45 writes:

3of 5 Stars


i think there is a lot of content that is good and well thought of, but too many songs on here remind me of other songs i've heard of and then i get mad and stop paying attention to the rest of the song and it's baisically a waste.

Jan 24, 2006 18:47:17

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Review 7 of 13

mcmarksalot writes:

4of 5 Stars


What can you expect from the album? A freaking watershed, decade-changing rocker? No. But the album is still by far better than anything put out by any other of those shitty bands like Fall Out Boy, etc. There are some really strong tracks, "Juicebox", "Heart In A Cage", and "Vision of Division" are the best. The last of which is extremely creative and very cool...i extremely enjoy the addicting groove and the indian guitar riff.
If you are a music critic, you have to respect that the Strokes developed a more full-bodied sound and got rid of the abrupt-endings from all their songs. Magazines touted the newest White Stripes album as bad ass, but trust me that album was shit compared to this jam. "How long must I waiiit? How long must I waiiit? How long must I waiiit?" Just listen to the damn album, and you'll be pleased.

Jan 20, 2006 01:45:07

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Review 8 of 13

evolman606 writes:

4of 5 Stars


This album provides some of the greatest songs the strokes have ever produced. It showcases the band's wide range of the musical tastes, slowing things down with songs like On the Otherside and the very under-rated Ask Me Anything and then reaching their rock and roll peak with Juicebox and Heart in a Cage. The band even ventures into a strange combination of weezer-esque pure pop/country with the song Red Light and pull it off. Subtract un-inspired songs Killing Lies and Fear of Sleep and you are left with the best album the band has yet made.

Jan 18, 2006 15:40:32

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