Album Reviews
"Label wants a hit/and we don't give a shit!" Replacements frontman Paul Westerberg once sang.
Yet the real miracle of
his legendarily self-destructive band is that it created masterful pop
in spite of itself. Success wrested heroically from seemingly
inescapable failure: that was the Replacements' magic, as the recent
reissue of their first four releases reaffirms. It still seems
impossible that the most indelible of the four, 1984's Let It Be, came
from these booze-crazed gutter punks. Along with a few bonus outtakes
(including a wrenching alternate version of the sexual-confusion
confession "Sixteen Blue") and covers (a tremblingly majestic take on
the Grass Roots' "Temptation Eyes"), this reissue captures the perfectly
turned punk-pop bravado ("I Will Dare," "We're Comin' Out"), the
bleeding-heart letters-in-a-bottle ("Unsatisfied," "Answering Machine")
and the proud junk food ("Gary's Got a Boner," Kiss' "Black Diamond").
As critic Gina Arnold says in her liner notes, the set summed up the
underdog worldview of fans who saw the band as their personal cracked
mirror. The band would subsequently sign to a major and make another
top-shelf record (1985's Tim), its last with guitarist and wild card Bob
Stinson. But the loser's heroism of Let It Be was — for the group and
for its fans — the end of an era.
(Posted: May 1, 2008)
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