Klezmer has always been subject to an almost Talmudic flurry of
argument, its form and musical structure beset by an impolite
influx of transnational styles. This Yiddish wedding music has also
been a paradox, occupying a central space in Jewish communities
though performed by traveling musicians, the exiles of an exiled
people. And though riotously celebratory in nature, klezmer
nonetheless gravi...