This Glasgow trio caused a flurry in the U.K. five years ago with a seductively well-crafted first album, A Walk Across the Rooftops. The Blue Nile's second album, Hats, is stronger still. Songwriter and vocalist Paul Buchanan has brought a more refined melodic sense to the compositions, and the results are rewarding. Songs such as "The Downtown Lights" and "Saturday Night" have a sparse, soulful feel that blends the cool, nocturnal languor of Bryan Ferry with the mystical hues of Peter Gabriel. The band uses instruments masterfully to convey feelings: Synthesizers breathe warmth, a wan trumpet paints late-night downtown scenes, understated percussion registers like the beat of a heart. The strength of Buchanan's voice lies in the sense of longing it carries; he has the skill to fill each phrase with emotion – but his range is limited. The album also gets into trouble when it slips from its reflective posture into sticky melancholy. But Hats has a peculiar power, unfortunately, its risky departure from pop conventions will cause many to overlook it. It is surely a fine second act from a trio that deserves encouragement. (RS 578)

DAVID THIGPEN