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The last album from these young punks blew up thanks in part to an
over-the-top version of Don Henley's "The Boys of Summer." Welcome the
Night eschews lame covers, but it does lay on the drama real thick: Though
singer Kris Roe is a capable melodist, tracks like "The Cheyenne Line"
are full of irksome passion, and several of the emo-esque songs are
just dull.
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©Copyright 2009 Rolling Stone; Jann S. Wenner, editor and publisher
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