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Boy wonder of British blues, Winwood powered through "Gimme Some Lovin' " (1966) and "I'm a Man" (1967) for the Spencer Davis Group, his Hammond organ played with banshee intensity and his soaring vocals sounding like a mod Ray Charles. The brain behind the bluesy elegance of Traffic, Winwood took dazzling guitar solos, and edged rock further into harmonic complexity, without capitulating to the c...

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