Song: "Love Theme From The Godfather"
Film: The Godfather
Year: 1972
Songwriter: Nino Rota
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Easily the most recognizable piece of music from any mobster flick,
the mellifluous opening notes of Nino Rota's "Love Theme"
immediately conjure images of family betrayals and bloody
retribution. But it actually pops up in The Godfather in
one of the movie's most tender scenes. Exiled for his own
protection after whacking rival mob boss Sollozzo and corrupt
police captain McCluskey, Michael Corleone (Al Pacino) wanders the
Sicilian countryside while the haunting composition underscores his
homesickness, as well as his first encounter with Apollonia, the
Mediterranean beauty he will quite literally "take" as his wife.
Reprised in a vocal version in The Godfather Part III, the
"Love Theme" has become the signature tune of the
Godfather saga.
Song: "Layla"
Film: Goodfellas
Year: 1990
Songwriter(s): Clapton/Gordon
Performed by: Derek and the Dominos
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Always a proponent of using popular music in his films, Martin
Scorsese employs four decades' worth to traverse eras in this
period epic. Everything from Muddy Waters' "Mannish Boy" to Bobby
Darin's "Beyond the Sea" to Cream's "Sunshine of Your Love" gets
dusted off for the soundtrack. But the piano coda from "Layla" is
used particularly well as the film details hothead Tommy DeVito's
(Joe Pesci) fall from favor. In the end, on the verge of being a
made man, Tommy's reckless deviation from the family's strict code
of honor buys him a bullet in the brain. Sometimes, being a wise
guy ain't all it's cracked up to be.
Song: "Danny Boy"
Film: Miller's Crossing
Year: 1990
Songwriter(s): Trad.
Performed by: Frank Patterson
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This involved story about Irish, Italian and Jewish gangsters
during the Prohibition was a refreshing switch from the New York
wise guy films to which audiences had become accustomed. The film's
shadow style could be traced to the gangster flicks of the Thirties
but directors Joel and Ethan Coen delivered enough violence and
double-cross to match any modern-day mob pic. The centerpiece, of
course, was the shootout set to late, great Irish tenor Frank
Patterson's rendition of "Danny Boy." Who could forget the image of
Irish mob boss Leo (Albert Finney) walking his tree-lined street in
his bathrobe while tommy-gunning his would-be assassins?
Song: "Stuck in the Middle With You"
Film: Reservoir Dogs
Year: 1992
Songwriter(s): Egan/Rafferty
Performed by: Stealers Wheel
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Quentin Tarantino's tale of a jewel heist gone wrong introduced
audiences to the director's Seventies pop culture sensibility and
flair for heightened violence. Though there was plenty of room for
debate about which of the film's blood baths was the most
gut-wrenching, one moment had people talking long after the credits
rolled. The sadistic Mr. Blonde (Michael Madsen) taunts a captive
cop before tuning in this 1974 nugget and giving him a shave Van
Gogh style -- just for the hell of it. Depending on your intestinal
fortitude, it was either unnervingly funny or one of the most
chilling scenes in cinema, but one thing was for sure: You never
heard this song the same way again.
Song: "Colors"
Film: Colors
Year: 1988
Songwriter(s): Glenn/Marrow
Performed by: Ice T
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One of the first films to not romanticize gang life,
Colors depicted it so vividly that there were reports of
real-life violence outside theaters. Indeed, the video release
featured the reassuring disclaimer, "Now watch in the safety of
your own home." As part of the LAPD's gang division, police
officers Bob Hodges (Robert Duvall) and Danny McGavin (Sean Penn)
get caught up in the struggle between the Crips and the Bloods. But
if the seemingly unwinnable war they wage left audiences disturbed,
Ice T's theme song -- with its line "The gangs of LA will never
die/Just multiply" -- did nothing to dispel the feeling as the
credits rolled.
Song: "Can't You Hear Me Knocking"
Film: Casino
Year: 1995
Songwriter(s): Jagger/Richards
Performed by: The Rolling Stones
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.