Back in the Fifties -- twenty years before Kiss, forty years before
Marilyn Manson -- Hawkins' was incorporating such ghoulish antics
as lying in a coffin, donning a vampire's cape and serenading a
skull on a stick into his stage show. His nickname was well-earned,
as Hawkins howled and cackled his way through fiendish originals
like "Alligator Wine," "Little Demon" and "Constipation Blues," a
comical account of Hawkins' stay in a Hawaiian hospital, complete
with sound effects.
Growing up in Cleveland, Hawkins was an aspiring opera singer and a
teenage Golden Gloves boxing champion, until he decided to put his
piano-playing skills to work on the R&B circuit, at one time
joining Fats Domino's touring band.
After Hawkins was fired for repeatedly upstaging the "big" star, he
struck out on his own, recording his signature cult hit, "I Put a
Spell on You," in 1956. The ominous witchcraft-seasoned love song
was banned by several radio stations, but enjoyed more success when
singer Nina Simone did a jazzy take on it in 1965.
Never managing to crack the pop charts himself, Hawkins bounced
around many labels and even took a few breaks from the music
business altogether, including a stint in the Sixties running his
own bar in Hawaii.
Hawkins' influence on later artists often thrust him back into the
spotlight. He opened for the Rolling Stones at Madison Square
Garden during their 1980 tour; filmmaker Jim Jarmusch used "I Put a
Spell on You" repeatedly in 1984's Stranger Than Paradise
and cast Hawkins in 1989's Mystery Train; and Marilyn
Manson covered "Spell" on his 1995 Smells Like Children
album.
In a 1983 interview with Stuart Coleman on Radio London, Hawkins
credited an obese voice teacher in West Virginia for his
development. "I couldn't sing that well ... She says, 'Scream,
baby! Scream, Jay.' I said to myself, 'You want a name? There it
is!'"
BILL CRANDALL
(February 14, 2000)
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- Portions of Album Content Provided by All Music Guide © 2008 All Media Guide, LLC.