Tell us about the
New American Music Festival. I've heard you're curating and
I've heard you're hosting. Which is right?
Curating is more accurate, but I guess curation is a word that
could be defined differently by many. It's kind of vague. You think
of it a little bit more in term of the visual-art world.
How did you get the job?
Basically, American Eagle came to me saying, "Do you want to
curate a show?" And I've known people that have curated festivals
before and I thought, "Hmm. Is it real? Do I really get to choose
the music? Because if I do, I'm in." I was listening to a lot of
very exciting music. I thought, "What a great opportunity for me to
basically design a concert for myself, that I would want to go to."
So I kept asking, "Do I really get to choose the music? Are there
strings attached?" I didn't really want to get into something where
I signed on and then suddenly they flipped the switch on me and it
wasn't real. And they were incredibly gracious about allowing me to
have the final say in choosing.
How did you find the experience? Was it
difficult?
It's not as easy as it sounded. It was kind of an interesting
experiment because at first I was kind of like a kid, who wanted
what he wanted, when he wanted it. And then I realized, "Okay,
that's just not how this works." I'm an absolute die-hard LCD
Soundsystem fan and they're one of these bands that are completely
dismantled and some of them are in England and some of them are on
tour with other bands. I got to engage in e-mail conversation at
length with James Murphy, and that turned out to be a really
incredible experience. He is an excellent human being and is very
smart and I have to say, his music gets to my good nerve. For every
kind of door that closed, another wild or totally fascinating door
opened, like Bob Dylan.
I wouldn't have pegged you as a Dylan
fan.
Well, you really can't argue with Bob Dylan's music. I put him in
the top 10 of all-time greatest musicians that I have ever
encountered. I also loved the idea of getting Ringo Starr and his
All Star Band to be on this bill, which we couldn't do. But I
wanted to expose this college-aged audience to the greats while the
greats are still being great. So Bob Dylan, after much negotiation
and deliberation, made himself available for this festival which
was enough said at that point. I knew everything was going to be
all good from there. The same for the Raconteurs. They were very
busy and all over the place. People forget musicians are very
giving people. They give this music and their time and their energy
and their heart and their soul to the public, but they also have
families and lives and friends and homes and sometimes they want to
go experience that. And all we want them to do is to keep giving us
their music. Fortunately, Jack and his Raconteurs were willing to
go one more time because they kind of wanted to go on vacation and
do the family thing, but in the end they were kind enough to come
around and play this one more show for us, which I'm totally
grateful about.
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