All of this might explain why Wuv, the band's drummer, is seemingly
the only person who's walking in midtown Manhattan this morning
with a smile. It doesn't seem to matter that he might catch a cold,
having forgotten his jacket on the plane last night, or that the
cold shoulders that breeze right by him on the rush-hour streets
aren't helping out the situation. As Wuv shares a testimony of what
he noticed during his last show, it's easy to tell what really
gives him chills.
"After the show," he says, "I went up to the two kids I saw [crying
in the audience earlier]... and I let 'em know that I felt their
pain, that they weren't alone in this struggle. And before we knew
it, man, we were laughing so hard, huggin' each other... tears
tricklin' down our faces. It just felt so good, you know? That's
when we know that God's talkin' to some of these kids through us;
when they can discover the true meaning behind a simple chorus like
'I'm an outcast/Don't ever count me out.' You can pick the kids who
really understand our lyrics from the ones who don't."
Unlike many Christian bands, P.O.D. do not wear their faith on
their sleeves. "Outkast," the particular song Wuv is talking about,
doesn't exactly spell their faith out or openly urge listeners to
repent. Such is the case with most of the tracks on P.O.D.'s debut
album, The Fundamental Elements of Southtown. It would
probably never dawn on an unadvised listener that the band follows
God [case in point: their name stands for "Payable on Death"].
Musically, the quartet doesn't create much of an original sound,
especially when trailing in the wake of Korn and Limp Bizkit, but
P.O.D. have been making the same music together for over eight
years now.
It's when you read between the lines of their lyrics that P.O.D.
emerge as such a blinding force. The cryptic vocals that accompany
their musicianship through darkness always seem to find an
invigorating light. Take, for instance, their song "Hollywood."
After minutes of breaking down the false perceptions of the city in
question and building up to the instrumental climax, the final
words that lead singer Sonny screams repeatedly are, "You'll never
get the best of me!"
Speak of the devil (no offense), Sonny, along with the other two
members (guitarist Marcos and bassist Traa), have finally caught up
to Wuv, who is Sonny's cousin, on the other side of this crowded
street. Flanked by a couple of publicity coordinators, the guys are
luckily within walking distance from each of today's interviews,
the first being at the Howard Stern Show. Are they
nervous? Absolutely not. If anyone can endure a half hour of
belligerent quips, ridiculing them for being "young," "either
engaged or married with kids," "non-cheating," "Bible-reading" and
"Jesus-loving" rock musicians, it would be the P.O.D. brethren.
And they prove it. Stern seems impressed. Even when he and his
radio crew laugh hysterically at the idea of P.O.D. opening for Kid
Rock in Jamaica next month, not one of their nerves seems to be
struck. "Don't hang around with Kid Rock," advises Stern. "You
won't get into heaven doing that, believe me." But the band members
tell the sparring shock-jock straight up that they're "far from
perfect." From that point on they seem invincible, and each phone
call they receive throughout the show's remainder mirrors nothing
but respect.
The hardest part of the morning is over, but the P.O.D. are still
on a tight schedule. Along with a number of other appointments, a
visit to MTV News is necessary and catching their afternoon flight
out of Newark is absolutely mandatory. They continue their tour
with Primus this evening, and they're due on stage the second they
arrive at the venue. "If our plane lands even one minute late,"
says Sonny, "then we've already lost some valuable travel time."
But he's not overly concerned. "Hey," he shrugs sheepishly, before
heading off with the others, "we're doing the best we can, and
that's all we can really do."
Amen.
PAT CHARLES
(February 25, 2000)
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