To this fertile (some might say volatile) mix, the brothers, Paul
and Ross Godfrey, add a tasteful measure of beats, live guitar and
bass. The woman, Skye Edwards, then butters the tracks with her
prose. Together, the three have transformed British trip-hop.
Morcheeba's second record, Big Calm, is a distinct calling
card indeed, one that sounds a bit like Portishead on Prozac.
How painful was it recording an album while you were
pregnant?
Skye Edwards: It was quite easy. They would just
call me when they needed me to come in and do my thing.
Was that a burp?
S.E.: Umm ... I didn't think you could hear that.
I do it all the time though. Better out than in.
Paul, how much dope do you smoke?
Paul Godfrey: I smoke a couple of ounces a
week.
That's mass consumption. Anything else besides scratching
records and smoking?
P.G.: I'm learning photography and how to cook. I
like good quality sausages and a red wine gravy.
Does Skye keep you guys in check?
P.G.: Umm. I don't know. We seem to get on okay,
you know. Our lives are so dramatically different that, I don't
think there's any real kind of clash. Skye has a family, and Ross
and I just go out and get drunk every night.
Skye, do you ever have problems with the
brothers?
S.E.: We haven't ever had any argument at all. If
I had to kick any ass it would be Ross, because he wouldn't kick
mine back. Plus he's smaller and only 21-years-old.
When was the last time you had to give your brother a good
ass-kickin'?
P.G.: We got quite heated the other night. I was
going to hit him with a pool cue, but he assured me that he would
kill me afterward, so we kind of cooled it out and thought it was
best not to hurt each other before a video shoot.
When Morcheeba put out Who Can You Trust?,
everyone lumped you guys with the likes of Tricky and Portishead.
Do you think it's going to hurt you this time around since it's the
Chemical Brothers' and the Prodigy's show, and you guys don't fit
that mold?
P.G.: Well, no. It's quite flattering really that
people would compare us to acts that make a lot of money. I don't
think it hurts us at all. It gave us a great in, and now we're
proving that we're the best of the bunch.
You said your music carries on from where music went
terribly bad in the seventies ...
P.G.:I think when you had disco everything just
went a bit formulaic-like and then rock just went terribly cringey
and embarrassing. Then you had punk, and that pretty much destroyed
anything with any kind of talent. We were just trying to pick up
the pieces and show people we don't have to mindlessly rebel to
prove a point.
What about music now?
P.G.: Yeah, chicken and potatoes.
What?
P.G.: I'm just ordering lunch.
How much pressure do you feel being the point man in the
band?
P.G.: I don't really feel too pressured because I
have a heroin addiction, and because I really don't give a s---
about things that are not important.
How long have you been addicted?
P.G.: About a year and a half.
No chance of kicking it?
P.G.: No, not really. It's been working out quite
smooth. It's sure to become more of a problem on tour because
gettin' good stuff is hard.
Skye, how are you feeling these days?
S.E.: I'm feeling tired these days.
Has anyone ever told you that your voice can make a grown
man cry -- and not in that Celine Dion kind of way?
S.E.: No. (Laughs) No. Wow. It must be really sad,
though. Not sad as in stupid that a grown man cries, but that
they're unhappy.
Let's talk about the new album. Did you guys do anything
different this time around?
S.E.: We made songs that move, and my vocals were
a lot stronger. I got a singing teacher to strengthen my voice.
Before, people were shouting at us to turn it up, and they were
drowning me out. I went to a teacher and said I still want to sound
like me but louder, help me. It's a confidence thing as well.
What's the running concern behind "Part of the
Process"?
P.G.: It's just about the kind of people who get
it stuck in their mind that they can't continue and they can't
succeed and, you know, self-destruct. Because it's easier to stick
to what they know, the fear of trying to be successful and happy is
just too much for a lot of people.
Like you?
P.G.: I think including us, in some ways. It's
very much the kind of British Culture, you know. It's based on kind
of knocking successful people. In America, it's very different,
because people are so happy to show you success.
What's the main thing you're hoping to get out of this
record?
P.G.: Five million in sales.
TONY ROMANDO
Note: Don't miss our live
Morcheeba webcast on April 24th!
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