Album Reviews
Made by a band with deep experience (Miller toured with Bobby Fuller; Spencewas an early member of Jefferson Airplane), Moby Grape is high in drama, broadin dynamics: the lusty, Beatle-ized gallop of "Hey Grandma"; the hyper-Byrdsblast of "Fall on You"; the genteel melancholy of "8:05"; the eccentrictension of the tempo and key changes on "Indifference." Mosley was apowerhouse singer who could do Otis Redding and Brian Wilson in a singlemeasure; Lewis' finger-picking guitar was a rich backdrop for Miller'sroadhouse-honed leads. Spence was the Grape's visionary imp, a man of greatmelodic gift and playful, if prophetic, madness. "Omaha" is just two and ahalf minutes long, but the Grape turned Spence's song into a thing of powerand beauty, full of medieval-choir luster and high-gear guitars.
"Omaha" is also Moby Grape in microcosm, the glory of a mighty band atan early but untouchable peak. Moby Grape never became stars, but with MobyGrape, their legend is secure.
(Posted: Jan 12, 1999)
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