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The third album by Jay-Z protege Bleek is a typical Roc-A-Fella affair, trafficking in sleek, synth-heavy production, ghetto swagger and solid cameos by Hova and Freeway. A lot of the beats sound like leftovers from the Black Album, but for the most part Bleek's quick-tongued self-righteousness overcomes the music's R&B-inflected blandness.
CHRISTIAN HOARD
(RS 940, January 22, 2004)
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