In light of the forty-odd records that preceded it (but were never released in the U.S.), it seems unfair to judge Synchro System as a second album. Even so, it must be said that King Sunny Adé's latest American release does not quite match the excitement or subtlety of its predecessor, Juju Music. Like that LP, this record features one effervescent groove after another, and Adé's King-size band interacts with stunning flexibility and precision, bobbing and weaving without ever conflicting, all the while supporting a hypnotic call-and-answer vocal chant. However, many musical phrases seem to have been taken verbatim from Juju Music, and though that helps define this traditional music's vocabulary, it also demonstrates its limitations.

The biggest difference between the two LPs is in the mix, which on Synchro System tends to favor the bass and talking drums over the more delicate guitar lines. This tougher, dance-oriented sound pays off in a few cases: both "Synchro Feelings – Hako" and "Maajo" are impressive percussive showcases. But while Synchro System has more punch, it lacks the suspense of Juju Music. Particularly regrettable is the reduced role of steel guitarist Demola Adepoju, whose fluid, melancholy solos give Adé's music some of its ethereal quality.

Still, there are few bands that can play with this kind of emotion and sensitivity, and that alone makes Synchro System a worthwhile, though not indispensable, sampling of some of the world's most captivating music. (RS 403)

JONATHAN GREGG