Did you call the new album Cocky just to see the word "cock" at the top of the charts?
[Laughs] It's very Beavis and Butt-head. But one of the things that inspired me was Muhammad Ali. How much fun was that guy? "Joe Frazier can't hit me - I'm too pretty." He was off the wall, but he backed it up. The other thing was, I sounded cocky on my last record, which was a forecast: "I'm going platinum." But I went ten-times platinum. In hindsight, wasn't I being modest?
One new song, "Drunk in the Morning," is about depression. But your fans want to hear about how bad you are, not how bad you feel.
I wrote that at Christmas Eve last year. My son was at his mom's. I was all alone. I was really depressed. I don't get depressed much. I'm a pretty upbeat guy. But sometimes you experience so many wonderful things in such a short time. You think, "Man, what else is there to do? I've done everything."
There's one way left to go: down.
Totally. I think about it every day. And I'm prepared to walk away. The only thing I want to do is make sure my band and the people close to me are taken care of financially. That's my goal. Then I can walk away. I promise I won't put the band together in twenty years and do a reunion tour. I'll go away and let some other kids come up. I'll only be here as long as people want me.
Let's talk about that super-X-rated verse with you, Bill Clinton and the stewardess in the "Cocky" bonus track, "WCSR" ["World Class Sex Rhyme"]. You've met the ex-president. How will you explain that the next time you see him?
Anybody who takes that seriously needs help [laughs]. I didn't vote for Clinton, but I respect anybody who takes a job like that, to try and run a world like this. I respect the guy who goes to the auto plant every day, too. And if I can poke fun at him, then I can poke fun at the guy whose bills I pay with my tax money. That's one of my freedoms as an American that I'm thankful for.
Is your dad cool with you calling him a dick in "You Never Met a Motherf*cker Like Me"?
I'm sure it's not his favorite song [laughs]. He knows that's how I felt when I was younger. At the same time, I'm thankful for the fact that he made me work every fucking weekend - up at seven in the morning, hauling brush, chopping wood. One time, he gave me a job at his used-car dealership. I was like, "Awesome, a real job." I get down there, and he says, "Pick up all the papers around the lot." I wanted to sell cars.
What was it like singing with John Mellencamp at the Concert for New York City? Suddenly, here's Kid Rock in the middle of Dad Rock - the Who, Mick Jagger, Paul McCartney.
I had a few too many beers. I saw the playback and went, "Whoa, you're out of key." You go out and do these things with no rehearsal. But, I figure, you hit some notes - some you don't. It's called being live.
It's amazing to be with these people. That night, I got to sit with Buddy Guy. We're sipping Hennessy and getting real deep. He's like, "I like you, man. You're a real bluesman, and you don't even know it."
I was talking to Mick Jagger at the MTV Awards. I'd had a few drinks [laughs]. I'm going, "What are you doing here? You don't need this shit. You're in the Stones, dude." I'm giving him advice! He's like, "Somebody shut him up." But I think they know that I've got so much respect for them.
Do you think you were born two decades too late, that you're a Seventies rock star at heart?
Maybe I was born at the right time, when people needed me [laughs]: "We're gonna save you for this decade, because they might need ya. We got as many as we need for this one." So be it. Hopefully, I'll do a good job and not let anybody down.
[From Issue 1047 ͷ January 17, 2002]
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