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Vanderslice's fourth album is full of mellow, shambling indie rock and ill-recorded chamber pop, with the San Franciscan delivering his bad-love vignettes in a self-possessed whine that sometimes grates on the ears. Vanderslice could stand to brighten his outlook (if not his production) a bit, but many of these rambling-man ballads are plenty pretty.
CHRISTIAN HOARD
(RS 940, January 22, 2004)
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©Copyright 2009 Rolling Stone; Jann S. Wenner, editor and publisher
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