With a new record, the 7th Deadly Sin, on the Internet-based Atomic Pop label, Ice T is staking out territory as an early supporter of web-based music. But his move to the online world was not motivated only by his disenchantment with major labels; he sees net-based music as the wave of the future. "They're building a rocket ship," he told the audience, "and I want to be on it."
But who does T think will be in charge? When asked, the rapper
narrowed his eyes and growled, "how the f--k should I know?" That
doesn't matter, he adds. Right now, "they're basically giving up
the secrets," he says. "People come up to me and tell me everything
about their business. I'm learning everything I need to know to do
it myself." In five years, "everything will be in place and they'll
be zipping their mouths." By that time, he grins, "I'll be able to
fly the ship myself, and it won't matter who the f--k's
driving."
The other artists on the panel were not as forceful as the rapper, but all agreed that the Net is a powerful instrument for musicians. For singer/songwriter Jonatha Brooke, selling her albums via her own Web site renewed her faith that she could connect with fans after being dropped by her label. Producers Jimmy Jam (Janet Jackson) and Patrick Leonard (Madonna) both were impressed by their ability to work with musicians on the other side of the world, emailing music files back and forth, and former Spearhead leader Michael Franti said that the web has allowed him to become closer with his fans. Bowie guitarist Reeves Gabrels prattled on about plumbing and toilets.
But everyone on the panel had at least some fan recognition before
they took to the Net, and, whether or not they made sense, none of
the musicians had any ideas about how an unknown act could make
themselves heard above chaos of the web. The best advice came from
T, who is promoting up-and-coming rappers on his Web site. "Make
all the connections you can, link onto as many pages as you can,"
he said. "You can hand out cards on the street that have the
address where people can hear your song." Whatever the venue, he
concluded, one thing doesn't change. "You have to be willing to do
it yourself."
STEVEN MIRKIN
(November 16, 1999)
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