One of the first such guinea pigs was unknown Trenton, N.J., guitar
rock trio named Internal Neurotic Universe. Last
year, the group piled into their Caravan and hauled ass to
Manhattan at 6 o'clock in the morning to answer a challenge Stern
broadcast the day before. They were to outdo a zealous Boston band
by not only eating the shock jock's snot, but by washing it down
with spit from his sidekick, Jackie "The Jokeman"
Martling.
"We had tried everything possible to get on the Howard Stern show,"
said INU frontman Joe Halsey, who sucked down the
noxious concoction in a white contamination suit. After stalking
Stern during his Private Parts book signing tour, mailing
him yearly birthday gifts and pestering everyone affiliated with
the radio show for years, the band had finally found its break.
"You guys are sick bastards," Stern said on the air after Halsey
guzzled the booger and then literally swapped spit with his
bandmates -- brothers Dave and Ray
Pantaleone. Rude and crude worked, however, because Stern
not only played the band's single, "Stalker," he also renamed them
Bigger Than Plastic -- the original title of the
band's sophomore album. "Maybe you should call yourselves Hungrier
Than Gandhi," Stern joked afterward. "Man these guys are hungry.
They want to be famous in a real big way."
Fame, however scant, did follow the Stern cameo. "It opened doors that wouldn't have been open otherwise," Halsey said, noting that Bigger Than Plastic's gross-out helped them gross more than $10,000 last year. "Radio stations introduced us as the guys who ate the booger, and we were instantly recognized."
Another aspiring band, Manhattan's Toilet Boys,
launched into contract negotiations immediately following their
bold appearance on Stern's morning show earlier this month.
Roadrunner Records was the first to take notice
when Toilet Boys' guitarist and self-professed "media assassin"
Sean (no last name) weaseled his way into Stern's
studio by posing as the fictitious Johnny Rock & Roll, manager
for Candy Ass, an all-girl band that gladly
stripped naked on national radio and, subsequently, Stern's
national Saturday night CBS-TV show. Meanwhile, Sean plugged his
"laser punk/go-go rock" band, convinced Stern to play their single,
"Another Day in the Life," and escaped the studio without ingesting
any fecal matter whatsoever.
"My concept is that the Howard Stern show is just another facet of
the promotion business," Sean says. "He makes his living being a
prick to people, but I respect the shit out of him because his show
is all based on balls -- and that's rock & roll."
For a well-known New York club band that's opened for
Rancid, hob-nobbed with Mercury
Records' new raunch rockers Nashville
Pussy and plans to play with the Donnas
in California next week, the Toilet Boys see Stern as the
gatekeeper to certifiable stardom. Other future marketing ploys --
a trumped up legal battle on The People's Court and a
brawl on the Jerry Springer Show -- will only help the
cause.
"Toilet Boys have thirteen months to get the biggest record deal of
the millennium ... we're talking three million dollars," Sean says
in all sincerity. "We're already an up-and-running rock & roll
machine going for broke and kicking ass. Now we're waiting for
someone to invest in the gasoline." Which, of course, they'll
gladly drink for exposure.
ANNI LAYNE(October 23, 1998)
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