One of the first such guinea pigs was unknown Trenton, N.J., guitar
rock trio named Internal Neurotic Universe. Last year, the group
piled into their Caravan and hauled ass to Manhattan at 6 o'clock
in the morning to answer a challenge Stern broadcast the day
before. They were to outdo a zealous Boston band by not only eating
the shock jock's snot, but by washing it down with spit from his
sidekick, Jackie "The Jokeman" Martling.
"We had tried everything possible to get on the Howard Stern show,"
said INU frontman Joe Halsey, who sucked down the noxious
concoction in a white contamination suit. After stalking Stern
during his Private Parts book signing tour, mailing him
yearly birthday gifts and pestering everyone affiliated with the
radio show for years, the band had finally found its break.
"You guys are sick bastards," Stern said on the air after Halsey
guzzled the booger and then literally swapped spit with his
bandmates -- brothers Dave and Ray Pantaleone. Rude and crude
worked, however, because Stern not only played the band's single,
"Stalker," he also renamed them Bigger Than Plastic -- the original
title of the band's sophomore album. "Maybe you should call
yourselves Hungrier Than Gandhi," Stern joked afterward. "Man these
guys are hungry. They want to be famous in a real big way."
Fame, however scant, did follow the Stern cameo. "It opened doors
that wouldn't have been open otherwise," Halsey said, noting that
Bigger Than Plastic's gross-out helped them gross more than $10,000
last year. "Radio stations introduced us as the guys who ate the
booger, and we were instantly recognized."
Another aspiring band, Manhattan's Toilet Boys, launched into
contract negotiations immediately following their bold appearance
on Stern's morning show earlier this month. Roadrunner Records was
the first to take notice when Toilet Boys' guitarist and
self-professed "media assassin" Sean (no last name) weaseled his
way into Stern's studio by posing as the fictitious Johnny Rock
& Roll, manager for Candy Ass, an all-girl band that gladly
stripped naked on national radio and, subsequently, Stern's
national Saturday night CBS-TV show. Meanwhile, Sean plugged his
"laser punk/go-go rock" band, convinced Stern to play their single,
"Another Day in the Life," and escaped the studio without ingesting
any fecal matter whatsoever.
"My concept is that the Howard Stern show is just another facet of
the promotion business," Sean says. "He makes his living being a
prick to people, but I respect the shit out of him because his show
is all based on balls -- and that's rock & roll."
For a well-known New York club band that's opened for Rancid,
hob-nobbed with Mercury Records' new raunch rockers Nashville Pussy
and plans to play with the Donnas in California next week, the
Toilet Boys see Stern as the gatekeeper to certifiable stardom.
Other future marketing ploys -- a trumped up legal battle on
The People's Court and a brawl on the Jerry Springer
Show -- will only help the cause.
"Toilet Boys have thirteen months to get the biggest record deal of
the millennium ... we're talking three million dollars," Sean says
in all sincerity. "We're already an up-and-running rock & roll
machine going for broke and kicking ass. Now we're waiting for
someone to invest in the gasoline." Which, of course, they'll
gladly drink for exposure.
ANNI LAYNE
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.