The first thing you got to do with this record is to forget that the Allman Brothers Band ever existed and at one time was the best that America had to offer. Forget any comparisons between the Gregg Allman Band and the Allmans.

Except for the first cut, that is. "Come and Go Blues" was a powerhouse on the Wipe the Windows album, a laconic but rolling blues. Gregg wrote it so I guess he can do what he wants with it, but his new version seems halting and ... well, sissified. Delicate. It's such a good song, though, and Gregg is still such a good singer that I don't mind it a whole lot.

As a symptom, though, it points to the flaw of the album: Allman's seeming lack of confidence in his own material, his solo career and even his vocals. The two new Gregg compositions here, "One More Try" and "Bring It On Back," are both cliché-laden laments that beg some unnamed person to come back. Neither is convincing, musically or lyrically, and both suggest overwhelmingly that he has got to work this kind of crap out of his system before he gets enough confidence back to be the kind of performer he should be. The one time he comes close to really opening up here is with Ray Charles' "Brightest Smile in Town." Whatever Gregg's musical ambitions may be—and he offers few clues on Playin' Up a Storm—I suspect that they lie close to that kind of torchy blues. More power to him.

The Allman Brothers are dead. Long live the Allman Brothers. (RS 244)

CHET FLIPPO