In his early twenties, he relocated to L.A. to front the metal band Fastway. The group, assembled around former Motorhead guitarist Fast Eddie, soured King on the corporate-rock game.
"It started out OK," King says, "but with the success of bands like Def Leppard, people wanted perfect sounds, and I lost interest. When I'm starting to sing vocals five times, I was like, 'Screw this!'
" Flogging Molly -- named for the bar Molly Malone's, where the band members met -- meld the speed of SoCal punk with Irish balladry on their latest album, Drunken Lullabies. The group calls its sound a "Guinness-soaked musical body blow," and based on the violently enthusiastic reaction from crowds at this summer's Warped Tour, Flogging Molly's hangover laments have found a home alongside the emo and pop-punk bands.
"At first, we were worried," King admits. "We got tin whistles and accordions up there. But I was blown away by the response. It made us feel like, 'Jesus, we can play anywhere.' We're used to dark, dingy places, so to play somewhere outside, sunnier than hell . . ." Though, he adds, it does create special problems for a redhead.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.