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Elvis Costello

Costello: My Flame Burns Blue  Hear it Now

RS: 3.5of 5 Stars Average User Rating: 3.5of 5 Stars

2006

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This is a rare thing in live albums: a souvenir equal to my fond memory of this big-swing project, which I saw reprised at New York's Lincoln Center by Costello and Holland's Metropole Orkest just four days after they recorded these performances on July 9th, 2004, at the North Sea Jazz Festival. I wish there had been room on this single-CD version of the original two-hour show for the luscious tension they lavished on "Someone Took the Words Away," from Costello's 2003 album North. But there is no shortage of risk, grandeur or fun, in ingenious, moving combination: the jabbing Gil Evans-like brass and New Orleans-R&B rumble in the cover of Dave Bartholomew's "That's How You Got Killed Before"; the tonal bloom and anguished vocal detail of "Put Away Forbidden Playthings"; the lethal reggae of "Watching the Detectives," rescored with orchestral shock-and-awe. And when the Orkest hit the swelling climaxes of "God Give Me Strength," Costello is up there with them, singing with a force and clarity as big and regal as the music around him.

DAVID FRICKE

(Posted: Mar 6, 2006)

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Review 1 of 1

sekerka writes:

3of 5 Stars


ELVIS COSTELLO:
MY FLAME BURNS BLUE (Deutsche Gramophone)
I swear Elvis just keeps releasing these crazy records just to spite me. Ever since the life-changing "This Year's Model" I've eagerly devoured every new release, every new direction, like every new flavour at Baskin Robbins. And every time it's been a disappointment. Sure there have been moments, when Elvis shows some of his vitriolic swagger, or when he takes on a new genre and conquers it, but there has never been an album since, that I could listen to end to end without flipping the channel (so to speak). But what Elvis has done in the interim is create a gargantuan body of complicated work that easily eclipses anyone in his day. And here he is again screwing with the system, delivering a live classical jazz record, covering some of his better career moves. Heck he even reaches back for a swinging version of "Watching the Detectives". It may not find space next to his early explosions on the shelf, but it confirms his status as rock's renaissance man, not to mention a big band style crooner. Vegas is just around the corner (after all he is Elvis). You almost wanna forgive him for getting hitched to Diana Krall .... almost. (Sekerka)

Jun 13, 2006 13:08:01

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