Elmore James' wailing slide guitar shadows the playing of virtually
every important British blues guitarist from the 1960s onward and
informs the styles of great American blues guitarists such as Duane
Allman, Stevie Ray Vaughan, and Michael Bloomfield. Moreover, in
the tracks James cut between 1951 and 1956, he provided the link
between Robert Johnson's acoustic howl and Chuck Berry's
electrified...