Album Reviews
Talking tough and truly, women rocking the hard side continue to rise in number and authority. Veteran no-bullshitter Chrissie Hynde leads her Pretenders to a new plateau. True to Hynde's straight-rock muse, Independents is standard black-leather issue; its distinction lies not only in its honesty (a Hynde hallmark) but in how its tailor stretches the form to include both muscle flexing ("Rebel Rock Me") and unsentimental caring ("I'm a Mother"). A knowing vocalist (her phrasing rivaling Dylan's), Hynde handles the hots ("Night in My Veins") as surely as she nails devotion ("I'll Stand by You") and like any master, makes it all seem easy.
Heirs to Hynde by way of the Runaways, L.A.'s L7 are righteous riot grrrls. Chief songwriter Donita Sparks and company kick inter-gender butt by means of power chords and grunge abandon. But they also flash humor (the chugging, twangy "Riding With a Movie Star," with its single, repeated lyric) and accord respect (a tribute to drag racer Shirley Muldowney). "Fuel My Fire" and "Questioning My Sanity" are more typical L7 blackboard-scratching guitars and vocal snarls and they are smart, hard neopunk.
Produced by Atlanta's Jermaine Dupri, the force behind junior rapsters Kris Kross and soul queens Xscape, Da Brat's debut is a brassy charmer. With the title track, Windy City native Shawntae Harris throws down bright, clean rap with pop appeal. But she's just as much fun when she gets bold ("Da Shit Ya Can't Fuc Wit") or rhapsodizes about herb ("Fire It Up"). (RS 698/699)
PAUL CORIO
(Posted: Feb 2, 1998)
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- Da Sh*t Ya Can't Fuc Wit
- Fa All Y'all
- Fire It Up / Celebration Time
- Funkdafied
- May Da Funk Be Wit 'Cha
- Ain't No Thang
- Come And Get Some
- Mind Blowin'
- Give It 2 You
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Reviewer writes:
I know nothing about hip hop, am a 60 y/o Latino, but this girl is one of the rare artists of this genre that I LOVE & hers are the only two albums that i've ever bought. One of the few other hiphop tunes I liked was Mobb Deep's "Quiet Storm." But I have played music for 56 years and can appreciate Da Brat's (Shawntae Harris) right-on-time phrasing and rhymes as well as I can enjoy the 2d and 3d movements in Schumann's Piano Concerto. Also once could I play Franz Lizt's Piano Concerto in Eb major but i still funks and cut the guitar up! (kinda) Actually i'm older and do some Benson stuff (though TRY TO DO is more accurate).
I first saw Da Brat on Live at the Apollo years ago, doing the Funkdafied "hit." I don't even think she's that fine, and i think then she was only a teenager then anyway, but as she swayed, more or less hiding her shape in an oversized trenchcoat, and her face with the dark glasses she wore that nite. Didn't even move that good either. But the girl turnt it OUT. So I'm saying the girl isn't all, but, boy, as I listen to this album, and those rhymes and rat-a-tat-tat come busting out those rhymes, "elevatin'," "harder than MatheMATics," and finally, Funkdafied, that I was mesmerizes with her totally FON-key version of Between The Sheets music that's the backbone of Funkdafied.
F'all Y'all is great. The Rolling Stone website likens it to some Isleys song. Fire it Up is cool too. Dont like Da Shit Ya Cant F-- With too much.
If i was of the mindset, I'd smack some monster woofers in the trunk of my Camry, yes I said Camry, and tho I live in san fran, i'd roll thru LA (maybe even zippin on gin & juice if i had a designated driver, scoping the mommies & hotties if i weren't so old and so married), with my woofers kickin' "Mindblowin,'" and "May the Funk Be Witcha." Of course I'd wear ear plugs to protect the old ears but i'd could get with flow of the fat-sounding bass lines, those shaking air molecules, which is what sound be [ask a physicist], and through my body.
Some of the Funkdafied album songs, especially the end of Mindblowin' (& Gonna Give It To You) show off her funky, slightly syncopated, phrasing, that includes her breathing. I guess if this was 1969 and I was 48 years younger I'd say this album was DOPE as F---! I have to believe she was creating some of that *hit when she was in the studio, tweaking (now you KNOW I'm old school, from the days when "bump" meant a dance or something to smoke).
I later got Da Brat's "Unrestricted" album, and didn't like it quite so much. "We Ready" is my favorite, but her rap on the chorus here is rhythmically way too similar to that 60's Brothers Johnson song, "Strawberry Letter 23." "What's On Your Mind" has a nice Latin or Spanish guitar line and more palatable beat. But it seems like most of the Unrestricted tunes were double timed, and strident, and when the rap's weak, the plagiarized (not merely sampled) music, ditties, and melodies, so endemic in hip hop -- Da Brat is no exception -- come glaring through the bull*hit. These double-stepped tempos do not do her justice, her voice runs high, the "dramatic pause" effect found in slower rapping goes out the window.
To be fair to her as an artist, I won't judge her on just these two albums, but i'd say Buy Funkdafied but don't buy Unrestricted. I wish her luck as an artist but I think she may have faded (it saddens me) and evolved into somewhat of a sidekick for some of the other rappers. I read how her B-day party got a little off the hook crazy in Shy Town earlier this month. I'd have guessed her hard-headed ways were all-the-way Aries, but I guess Capricorns can wear that jacket too (now that I've insulted one sixth of humanity).
- Jim
Dec 20, 2005 19:27:10
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