Perhaps he was jazzed to be in proximity to his makeshift home of
Richmond, Va., Or maybe the former Camper Van
Beethoven cut-up was relieved to still be performing for
sold-out crowds after Cracker's last effort, The Golden
Age, took a swan dive into the commercial crapper.
Then again -- and this is what I like to believe -- maybe Lowery
was so damn pumped up because that very morning, his band's fourth
and most inventive album, Gentleman's Blues, was hitting
store shelves everywhere. Don't call it a comeback, Lowery seemed
to smile, but Cracker just caught a second wind.
"Our new record came out today, so we're a little drunk," joked
Lowery, who always manages to sound like a weekend smoker at Sunday
brunch. "So please don't take advantage of us." The down-to-earth
band, however, was anything but tipsy, feverishly pumping out
jangly, earthy tunes 'til everyone in-house was properly fed.
Cracker opened the ninety-minute show with two new tunes: the
Tom Petty-esque "Been Around the World," a slow
groove highlighted by guitarist Johnny Hickman and
keyboard man Kenny Margolis battling for the solo
spotlight, and the Stonesian "Seven Days," in
which Lowery acknowledges the band's recent popularity fade and
subsequent screw-it-all 'tude. ("So we were standing around fading
in and out of fashion/While Amerikids dug Eurobeats ... But there
ain't nothing that you got that we don't need/Did I say that
right?").
The band would show off several other cuts from Gentleman's
Blues -- the first single "The Good Life" and rowdy,
down-South shout-out "The World Is Mine" deserve to be hits -- yet
the crowd would nevertheless respond most favorably to the
well-worn anthems: "Teen Angst (What the World Needs Now),"
"Eurotrash Girl," "Low" and a particularly punkish "Flower Power
Maximum."
Seemingly sober (and maybe encountering the ugly edges of a
hangover), the band encored with clean, quick takes on "This Is
Cracker Soul" and forever favorite "Get Off This." And while the
boys were probably done drinking for this evening, if
Gentleman's Blues performs at cash registers the way it
should, there will be much rejoicing (and bottle-opening) in the
good old days to come.
SEAN DALY(August 27, 1998)
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