"The only thing that's been a drag about this year is that the
personality of our band is more diverse, and that hasn't really
come across [in the wake of 1997's Zoot Suit]," says
Perry. "We're trying to develop, in a broader setting, an audience
like the one we've built over the last ten years, one that's open
to letting us try things.
"[The Daddies] aren't a retro thing," he continues. "I mean, we're
influenced by [swing], but we're not part of some scene. At the
same time, when people have bought only one of your records, and
they expect a certain thing, it's only human to not want to
disappoint them. So that's our compromise. We're just a buncha guys
who write songs, and the songs have emotional impact for us, that's
why we play 'em. We're not really about selling pants, ya
know?"
The garrulous Perry goes as far to compare the Daddies to the
incomparable in an attempt to make his point. "Remember when the
Rolling Stones started out?" he asks rhetorically. "They were a
rhythm and blues band, trying to play that style, but when they
wrote their own music, it came out different, more like ... them.
That's how we look at swing. We want to evolve in some way. Right
now, we've got an audience that accepts part of our sound, and we
want them to accept the whole thing."
While visiting the band's favorite watering holes on a recent trip
to Eugene, Ore., the Daddies demoed new material that will
eventually become their next record and, perhaps for the first
time, the octet made musical overtures that should shrink some of
their unwanted swing stereotype. "Actually, I think [the new album,
tentatively titled Soul Cadillac] will be more of a cross
between Zoot Suit and our old records," Perry says. "All
sorts of things could happen between now and next October [when the
album is due for release]. We don't want to pull the wool over our
own eyes. We're just putting one foot in front of the other for
now, soaking it all in."
The Daddies are currently in the middle of what can only be
described as a breakneck schedule, touring the East Coast with L.A.
acts Ozomatli and the Pietasters ("a really diverse bill, not a
'swing all night long' kind of thing," says Perry by way of
explanation) before heading over to New Zealand and Australia for
the Vans Warped Tour in January. "The month of December is us kind
of flying weirdly around to do a bunch of different shows: Seattle,
Boston, Denver, Las Vegas," he says. "And then New Year's Eve we're
in Auckland. Then off to Australia for a month, then to Japan, and
back to Europe. From March to March we will have played 340 of 365
days. Pretty fuckin' hardcore."
COREY DU BROWA
(December 1, 1998)
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