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Bruce Hornsby's mid-'80s singles were almost aggressively tasteful: ultraprofessional piano pastiches, Americana, and MOR-ready hooks. But "The Way It Is" and "Mandolin Rain" suffered from an air of wistfulness that passed, on first listen, for melancholy but left a "Well-then-who-gives-a-damn?" aftertaste. Scenes From the Southside continued in the same vein, producing "The Valley Road," another...

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