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A Tribe Called Quest

Midnight Marauders  Hear it Now

RS: 2of 5 Stars Average User Rating: 5of 5 Stars

1993

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Can you envision/a brother who ain't dissin'?" asked A Tribe Called Quest's Q-Tip on the rap group's 1990 debut album, People's Instinctive Travels and the Paths of Rhythm, a breakthrough in what became known as Afrocentric hip-hop. It was a refreshing idea then, and Quest pulled it off with panache; their raps were gently wry, while their jazzy jams proved that dope beats don't need sledgehammer impact to kick ass. In today's hip-hop climate, where hardcore acts are practically defining the whole genre – at least commercially – it's an even better idea. Which is why it's a shame to see Quest partially abandon it on their new album, Midnight Marauders.

Not that the Tribe are suddenly on the gangsta tip – they still make nods to positivity, mostly on the between-songs segments featuring the record's host, a computerized female voice. But the Tribe are now going for a harder-edged verbal attack, or at least they must think so – the lively wit of past songs like "Skypager" and "I Left My Wallet in El Segundo" is replaced with tired boasts like "I like my beats harder than two-day-old shit." They try to rationalize the niggas dropped all over this album with the tortured "Sucka Niggas" and concoct a convincing litany of urban and personal woes on "Eight Million Stories." But instead of coming off impassioned, the Tribe only sound cranky. The music still has its beguiling moments, but nothing approaches the revelatory jazz stylings and laid-back cool of past work. Sadly, the schizzy Midnight Marauders suggests that at this point the band might more accurately be called A Tribe Called Flounder.

GLENN KENNY

(Posted: Nov 25, 1993)

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Review 1 of 1

badabingat writes:

5of 5 Stars


Midnight Marauders is possibly the most divisive of tribe albums. It surely is the most eccentric of all ATCQ and possibly the most dark and synical. The beats are massively more heavy than anything encoutered on either of the first two albums, lyrically less a comment than a more aggressive mouth-off of more or less anything they desire to slag off.
On Sucka Nigga, q-tip slates ghetto culture, through the LP, while Phife, throughout the album asks why mainstream rap regards him as being unworthy as an MC, just because of his height, diabetes and soft tones.
Yet even in this self-paradic undertone (aggressively critising other for being so god-damn aggressive) Tribe manage to create an album so lush with samples, keyboards, hooks and rhymes that at the same time as sounding schzophrenic, and possibly partly because they do so, they create work of pure magnificent brilliance. This was Tribe's master piece in many peoples eye's because of its' confusion of sound, direction and style. In no-way can Midnight Marauders can be described as a concept album, like Low End Theory, but who ever said that music had to built on solid foundations. Serenity is strangely combined with frantic aggression, god almost mentioned in the same breath as casual sex, but that is why this album is a masterpiece.

Mar 9, 2006 06:29:51

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